Box office Project X grossed $54.7 million in the United States and Canada, and $48 million in other territories, for a worldwide total of $102.7 million, against a budget of $12 million. The film opened to $1.2 million in midnight takings from 1,003 theaters in the United States and Canada. Throughout its opening day, the film's release was expanded to 3,055 theaters, where it grossed a total of $8.2 million including midnight takings. The end of the opening weekend saw the film take a total of $21 million—an average of $6,891 per theater—finishing as the number-two-grossing film of the weekend behind the animated family film
The Lorax ($70.2 million), and exceeding expectations that it would finish with a gross in the mid- to high teens.
Project X was highly popular with males and youth; 58 percent of the opening-weekend audience for the film was male, and 67 percent of the audience was under the age of 25. Outside of North America, the film had its most successful opening weekends in France ($3.8 million), Australia ($1.3 million), and Germany ($1.2 million). These countries also represented its largest total gross takings, with $15 million from France, $4.4 million from Australia, and $4.3 million from Germany.
Critical response On
Rotten Tomatoes, the film holds an approval rating of 29% based on 140 reviews. The website's critical consensus reads: "Unoriginal, unfunny, and all-around unattractive,
Project X mines the depths of the teen movie and found-footage genres for 87 minutes of predictably mean-spirited debauchery." On
Metacritic, the film has a weighted average score of 48 out of 100, based on 25 critics, indicating "mixed or average reviews". Audiences polled by
CinemaScore gave the film an average grade of "B" on an A+ to F scale, with young males rating it the highest (A), and males in general rating the film higher (B+) than females (C+). Criticism against the film focused on the perceived
misogynistic and mean-spirited behavior of the characters, and disregard for the effects of drugs.
Empires Chris Hewitt gave the film one star out of five, and referred to the central characters portrayed by Mann, Cooper, and Brown, as "spectacularly unlikable". Hewitt labeled the characters "unrepentant, nihilistic, vile, venal, animalistic, avaricious, charmless, entitled, sub-
Kardashian, stunningly irresponsible brats". Hewitt ended his review by stating that the film was "possibly the worst film of the last 20 years. It's certainly the worst comedy of the last 20 years".
Todd McCarthy of
The Hollywood Reporter was similarly critical, calling it "grimly depressing, glumly unfunny teensploitation", but admitted that it would "enthrall a portion of the high school/college age demographic it depicts, just as it alternately outrages, confounds and disgusts other, presumably older audiences."
USA Todays Claudia Puig found the film treated female characters poorly, labeling it a "heinous, misogynistic movie filled with faceless crowds and nary a character who resembles an actual human being", a sentiment echoed by Melissa Anderson of
The Village Voice who felt the film promoted "skull-numbing hedonism without consequences", and "second-nature misogyny", and that the only purpose of the male characters is to "'get high, fuck bitches.'"
Robbie Collin of
The Telegraph called the film "flamboyantly loathsome on every imaginable level" and was critical of the three lead characters, saying "unlike
Superbads leads, these three are poisonously unpleasant, and the supposedly comedic banter between them comes off as bullying." The
Los Angeles Times Robert Abele called the main trio "numbingly predictable" and the film itself "unoriginal", stating the film "bears a cravenly piggish attitude toward rewarding socially unacceptable behavior that feels unseemly rather than exciting".
Neil Genzlinger of
The New York Times said that the funny script and skilled editing potentially made it the "
Animal House of the iPhone generation".
Owen Gleiberman of
Entertainment Weekly praised the film for updating the clichés of similarly themed films from the 1970s to the 1980s like
Animal House and
Risky Business "so that they look just dangerous enough to make nostalgia feel naughty", but stated that the film does not offer anything more outrageous than real parties, despite implying "that it's breaking down bold new barriers of misbehavior". Gleiberman accused negative reviews of "fulfilling the role of all those uptight parents in '50s news reports about the dangers of rock & roll", by applying moral judgments to the events of the film.
Time Out Joshua Rothkopf gave the film four stars out of five, calling it "brainless", but feeling that the sheer anarchy of the film's events were "thrilling".
Peter Travers of
Rolling Stone praised the film as "gut-bustingly funny" that appealed to a base youth element to become "shitfaced and run amok", and said that it puts its own spin on
Animal House. Travers gave particular mention to Mann as "excellent"; however, he also stated that Nourizadeh's filmmaking was a "disaster". Several reviewers were particularly critical towards Cooper and his character. Hewitt called him "the most annoying movie character since
Jar Jar Binks", while others similarly described him as "singularly loathsome, venal and without humor", "supremely annoying", "that dick in a sweater-vest" and a "misogynistic" imitation of
Jonah Hill "minus the timing, sad sack appeal and motormouth grace". Conversely, Genzlinger praised Cooper for bringing a "mischievous likability" to Costa that "anchors" the events.
Accolades Cooper was nominated for two 2012
MTV Movie Awards for
Best Comedic Performance and Best On-Screen Dirtbag, and the film received a nomination for Best Music for the
Steve Aoki remix of the
Kid Cudi song "
Pursuit of Happiness".
Project X was listed as the number 1 most pirated film of 2012 on
BitTorrent with approximately 8.7 million downloads. ==Cultural impact==