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Propaganda and Agitation Department

The Propaganda and Agitation Department, officially translated as the Publicity and Information Department, is a department of the Central Committee of the Workers' Party of Korea (WPK) tasked with coordinating the creation and dissemination of propaganda in North Korea. It is the highest propaganda organization in the country.

Organization
The Propaganda and Agitation Department (PAD) is under the supervision of the Secretariat of the Central Committee of the Workers' Party of Korea (WPK). It is the highest propaganda organization in the country. The PAD formulates propaganda policy, controls cultural life, and produces propaganda materials. It oversees aspects of North Korean cult of personality including the management of statues and murals of the Kim family, and the North Korea's cultural and arts sector, as well as its financial and organizational aspects. It disseminates Juche, Songun, "Strong and Prosperous Nation", and socialist ideologues and indoctrinates both party members and ordinary citizens with them. The PAD uses both formal and informal settings to achieve these goals. Because the WPK has a rich history in propaganda, the PAD is quite influential within the party structure. Along with the Organization and Guidance Department, with which it cooperates, The PAD's headquarters are in the center of Pyongyang. Limits set for content by the PAD are strict. The PAD controls the press in North Korea, but in order to maintain its behind-the-scenes nature, actions relating to repression of the media are often publicly attributed to the instead. When newspapers are published in North Korea, they go through three rounds of censorship. The first is handled by the editors of the paper. The second and third levels are taken care of by the PAD. Its General Bureau of Publication Guidance reviews both newspapers and other types of publications and broadcasts. The PAD's Newspaper Administration is the final level of press censorship. Likewise, radio and television broadcasts and the Korean Central News Agency are also under supervision of the PAD through the Korean Central Broadcasting Committee, to which it appoints personnel; only the is controlled by the United Front Department of the party instead. The PAD cooperates with the Ministry of State Security and Ministry of Social Security to curtail international broadcasting into North Korea. The General Propaganda and Agitation Department of the Ministry of Defense maintains a separate structure, but the PAD cooperates with it. Other partners include the Party History Institute and the Korean Documentary Films Studio. The PAD has numerous bureaus and offices under it. For instance, the April 15 Literary Production company is directly under the PAD and the company often supplies the department with executives. The Workers' Party of Korea Publishing House, Foreign Languages Publishing House, Workers' Publishing House, and are also under its control. The PAD also translates otherwise forbidden foreign works for the use of the country's political elite. The Korea Film Studios and the 25 April Film Studio are under the Ministry of Culture, but the PAD controls them and their staff. It also oversees regional propaganda organizations throughout the country. ==History==
History
The history of the PAD can be traced back to the Soviet Civil Administration following the division of Korea in 1945. Agitation operations by the PAD reached their height in the years after the Korean War. They included speed campaigns such as the Chollima Movement and , labor methodologies like the and the Taean Work System, and the . Kim To-man was the chief of the PAD until his involvement with the Kapsan faction incident that sought to oust Kim Il Sung in 1967. Kim To-man had commissioned Act of Sincerity – described variously as either a film or a stage play – about the life of Pak Kum-chol without the approval of Kim Il Sung. In North Korean society, this was an inexcusable offense, and Kim To-man was forced to go. Kim Jong Il probably helped in purging him. After this and related purges the PAD shaped the societal landscape of North Korea to allow Kim Il Sung to cement his rule and become the supreme leader of North Korea. Kim Jong Il Kim Jong Il had entered service of the PAD in February 1966. He was appointed the head of the PAD's Guidance Section of Culture and Art and Publication and Press section in September 1967 after a meeting in which Kim Il Sung criticized those who were associated with the Kapsan faction incident. In 1969, Kim Jong Il was promoted the deputy chief of the entire PAD. During this time, he not only designed and issued party IDs and oversaw the handling of portraits of Kim Il-sung. In practice, Kim Jong Il ran the entire department because his nominal superior Kim Kuk-tae suffered from ill health and Yang Hyong-sop, who was tasked with ideological affairs, was engaged with science and education policy instead of propaganda. In September 1973, Kim Jong Il became the chief of the PAD, a position which he held until 1985. Kim Jong Il's years in the PAD were marked by his effort to become an expert in the field of propaganda, as well as him developing his charisma. Kim Jong Il's main contribution in the department was to devise the "monolithic ideological system", later codified as the Ten Principles for the Establishment of a Monolithic Ideological System. Kim's various efforts greatly benefited the North Korean cult of personality. During this time, the film director Choe Ik-gyu, a close confidant of his, also rose in the ranks of the PAD, becoming its vice director in 1972. Choe developed mass games that would evolve into the Arirang Festival, the organizing of which he is still overseeing. Choe fell in and out of favor repeatedly, and finally resigned from the PAD for good in 2010 after being briefly its director. He continued to influence the daily affairs of the PAD after his succession. Kim Jong Un Before the death of Kim Jong Il, it was already speculated that the imminent succession would employ the PAD. Kim Jong Un's sister Kim Yo Jong became the de facto leader of PAD when she was appointed its first deputy director and put in charge of "idolization projects" of Kim Jong Un. ==Leadership==
Leadership
Kim To-manPak Chang-ok (director, 1950–1955) • Pak Yong-bin (director, February 1950 –) • (vice director, 1961 –) • Kim Hyon-nam (director, 2002 –) • Choe Ik-gyu (director, 2009 – February 2010) • Kang Nung-su (director, February 2010 –) • Kim Ki-nam (vice director, 1966 – October 2017) • Pak Kwang-ho (director, October 2017 – January 2020) • Kim Jong IlKim Jong-nam ==See also==
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