The only way to defend religious buildings in
Soviet Russia was to convert them into museums. In 1923, Baranovsky succeeded in declaring Boldinsky Monastery a branch of Dorogobuzh Museum. He and two local museum managers collected relics from other temples that were looted by
Bolsheviks, and preserved the collection of
Yelnya museum that was closed in 1926. Baranovsky realized the uncertainty of his museum, and hired photographer Mikhail Pogodin, grandson of
Mikhail Pogodin, to document Boldino and its exhibits (1928–1929). Baranovsky-Pogodin archives present a particular branch of Orthodox art of Upper
Dnieper, the boundary between Orthodox and Catholic worlds. In November 1929, authorities shut down the museum; its treasures are presumed lost, as is most of Pogodin's photography. In January 1930, they arrested Semyon Buzanov, the museum manager, who died in prison. Nikolai Savin, manager of Dorogobuzh museum, chose to flee his hometown; Pogodin lost his job as a "social alien". Baranovsky himself received a formal reprimand in 1931 but was arrested later, in 1934, accused of
Anti-Soviet propaganda, and sentenced to an exile in
Mariinsk, where he earned a "Siberian Camp
Udarnik" badge. ==See also==