From November 10 to December 9, 1928,
All Quiet on the Western Front was published in serial form in
Vossische Zeitung magazine. It was released in book form the following year to great success, selling one and a half million copies that same year. Although publishers had worried that interest in
World War I had waned more than 10 years after the
armistice, Remarque's realistic depiction of trench warfare from the perspective of young soldiers struck a chord with the war's survivors—veterans and civilians alike—and provoked strong reactions, both positive and negative, around the world. With
All Quiet on the Western Front, Remarque emerged as an eloquent spokesman for a generation that had been, in his own words, "destroyed by war, even though it might have escaped its shells." Remarque's harshest critics, in turn, were his countrymen, many of whom felt the book denigrated the German war effort, and that Remarque had exaggerated the horrors of war to further his pacifist agenda. The strongest voices against Remarque came from the emerging
Nazi Party and its ideological allies. In 1933, when the Nazis rose to power,
All Quiet on the Western Front became one of the first
degenerate books to be publicly burnt; in 1930, screenings of the
Academy Award-winning film based on the book were met with Nazi-organized protests and mob attacks on both movie theatres and audience members. A fellow patient of Remarque's in the military hospital in
Duisburg objected to the negative depictions of the nuns and patients and to the general portrayal of soldiers: "There were soldiers to whom the protection of homeland, protection of house and homestead, protection of family were the highest objective, and to whom this will to protect their homeland gave the strength to endure any extremities." The Italian translation was also banned in 1933. During the remilitarization of Germany under the Nazi Party, the book was banned as it was deemed counterproductive to German rearmament. In contrast,
All Quiet on the Western Front was trumpeted by
pacifists as an anti-war book. Historian
Mitch Horowitz, who wrote the introduction for the 2025 digital publication of the novel, has noted that Remarque's apolitical approach is refreshing in today's highly factionalist era, and that Remarque "joins the ranks of chroniclers of warfare from
Plutarch to
Stephen Crane — finding the story in the trenches and within the lives of combatants rather than in long-forgotten disputes that supposedly drove the conflict," adding, "Remarque has been justly compared to
Hemingway." Much of the literary criticism came from
Salomo Friedlaender, who wrote a book
Hat Erich Maria Remarque wirklich gelebt? "Did Erich Maria Remarque really live?" (under the pen name Mynona), which was, in its turn, criticized in:
Hat Mynona wirklich gelebt? "Did Mynona really live?" by
Kurt Tucholsky. Friedlaender's criticism was mainly personal in nature—he attacked Remarque as being egocentric and greedy. Remarque publicly stated that he wrote
All Quiet on the Western Front for personal reasons, not for profit, as Friedlaender had charged.
All Quiet on the Western Front was followed in 1931 by
The Road Back, which follows the surviving characters after the Treaty of Versailles, and the two are considered part of a trilogy alongside the narratively unrelated
Three Comrades, released in 1936 and set well into the post-war era. ==Adaptations==