McIan learnt to paint whilst he was an actor, and submitted his first landscape to the
Royal Academy in 1836. It proved so popular that it was reissued in 1857, after his death. His depictions of clansmen fanned the romantic revival of interest in
Gaeldom that was led by
Queen Victoria, to whom the book was dedicated. McIan's early paintings concentrated on scenes from domestic life in the Highlands, such as illicit
whisky stills and women grinding corn. These culminated in the 1848 sequel to the
Clans book, entitled
Gaelic Gatherings: Or The Highlanders at Home, on the Heath, the River and the Loch. In later life his works increasingly took on overtly nationalistic subjects, celebrating the exploits of Highland soldiers against the English and overseas. Paintings of the
79th Cameron Highlanders were commissioned by Colonel
Lauderdale Maule to celebrate the end of his ten-year colonelcy of the regiment in December 1852.
An Incident in the Revolutionary War of America showed the
71st Fraser Highlanders' heroic defense at the
Battle of Stono Ferry and was exhibited at the Royal Scottish Academy in 1854. McIan was elected an associate of the
Royal Scottish Academy in 1852 and died at
Hampstead, north London, on 13 December 1856. ==Notes and references==