•
Harishchandra Kavya •
Siddharama charitra •
Somanatha charitra •
Viresvara charita •
Hariharamahatva •
Sarabha charitra Although
Harishchandra Kavya (c. 1200 or c. 1225) is Raghavanka's
magnum opus, it was rejected by his guru, poet Harihara (or Harisvara). In some ways, Raghavanka's writing surpasses his guru's talent, especially in describing characters in his story. According to another source, Raghavanka's guru physically abused him, punishing him for wasting his poetic talent in eulogising a mere mortal. These five writings are the
Siddharama charitra (or
Siddharama Purana), a eulogy of the dynamic and compassionate 12th century Veerashiava saint Siddharama of Sonnalige which brings out a larger-than-life image of the saint in a simple yet stylistic narrative;
Harishchandra Kavya In the
Harishchandra Kavya, Raghavanka brings out the clash of personalities with lively dialogues; between sage
Vishvamitra and sage
Vashishta, between Harishchandra and Vishvamitra and between Harishchandra and the "unreal" girls ("dancing girls"). Also narrated is Harishchandra's fidelity to truth against all odds and the redemption of Harishchandra after being rescued by an untouchable he had once rejected. One piece of
elegiac verse, written in the
mandanila ragele metre (rhymed couplets) is the mourning of Chandramati over the death of her young son Lohitashva from snake bite, while gathering firewood for his Brahmin taskmaster. The poem has remained popular for centuries and is recited by
Gamakis (narration of story accompanied by music). ==Notes==