In his article "Hawaii Fest Honors Films Of Pacific Rim" for the
Chicago Sun-Times, film critic
Roger Ebert wrote, "A different kind of culture shock was explored in
Yellow, an American film by Chris Chan Lee, about the son of a strict Korean-American grocery owner in Los Angeles. The father enforces his standards so rigidly that he drives customers away. He alienates his son (Michael Daeho Chung), who during a long night with his
Gen X Korean- American friends, deals with the consequences when a great deal of money is stolen from the store. The film is fascinating in the way it manages to be both about Korean-American society and about young Gen Xers who could be of any race." In the
Los Angeles Times,
Kevin Thomas reviewed the film for its theatrical release in 1998. Thomas wrote, "As ambitious and rewarding as it is, Chris Chan Lee's
Yellow has a significance beyond itself: It's the first major Korean American film to get a feature release. It's also a classic coming-of-age story, set during one long night just before eight high school friends are to graduate. You're tempted to describe the picture as 'Korean
American Graffiti', but along with its humor it has an underlying disturbing seriousness." Writing for
The Austin Chronicle, Marc Savlov called the film "a bitingly dark comedy of escalating errors" and noted, "although Lee's script...sometimes ranges off into fields of preachiness, relentlessly good performances from Chung, Bulos, and especially Oh keep things grounded in the essential teen reality.
Dazed and Confused it's not, but
Yellow still manages to elicit nervous laughter from the planet of tortured teens." G. Allen Johnson of the
San Francisco Examiner felt the character of Sin was underdeveloped, but praised Lee's visual style and said he "is skilled at depicting the emotions of those too old to be children and too young to be adults, that phase when anything seems possible but everything is frustrating." ==References==