Shettar's work incorporates a range of materials, including
beeswax,
wood, organic dyes, vegetal pastes,
lacquer, steel, and cloth, which she uses to construct large-scale installations. Her sculptures often feature hand-carved wood, with attention to maintaining the material's original surface and texture. Shettar's practice also includes wall-mounted wood compositions. An example is
Touch Me Not (2006–2007), which is held in the
Kiran Nadar Museum of Art collection. Her site-specific installations include works like
Seven Ponds and a Few Rain Drops (2017), Shettar has also developed works made from hand-formed wax elements connected with cotton thread. One such work,
Just a Bit More (2005–2006), now in the collection of the
Museum of Modern Art (MoMA) in New York, uses these materials to form a web-like composition. Shettar has also worked with industrial materials. Her sculpture titled
Me, No, Not Me, Buy Me, Eat Me, Wear Me, Have Me, Me, No, Not Me (2006–2007) was included in the inaugural exhibition of the rooftop sculpture garden at the
San Francisco Museum of Modern Art. While primarily known for sculpture, Shettar has worked in other media.
Varsha, an artist's book, was developed in partnership with the
Museum of Modern Art. In 2021, she created the print
Alae alae as part of
The Metropolitan Museum of Art's 150th anniversary projects. == References ==