The book received largely positive reviews, particularly for its perceived entertainment value.
Ellen Datlow and
Terri Windling listed it in their 1990 book ''The Year's Best Fantasy and Horror: Third Annual Collection
, describing it as "great stuff from the people who brought you Apocalypse Culture
". The Utne Readers Ray Mungo praised the book, saying the editors had "dug up some of the most alarming, delightful, distinguished, amusing, and offensive writings in history". Journalist Harry Allen, writing for The Village Voice, praised the book, calling it a "winner" for its collection of both content with "literary value" and "claptrap", a "collection of half baked and burnt ideas". Paul Oldfield for Melody Maker called the book alluring, coming at a time "when nobody has convictions", with much content that was offensive and absurd. The periodical Factsheet Five'' was more mixed, calling it "more of a freak show than anything else". They further called it "an anthology [...] of texts that would perhaps be better forgotten", at least by those with morals; they called it "some of the most amoral (not to mention spiteful) invective ever produced". Bill Blank from
Anarchy: A Journal of Desire Armed described it as "a wild graveyard party with laughs and severed heads for everyone", and praised its collection of a variety of ideologies.
Factsheet Five found its overriding theme to be that of an opposition to mainstream society. Steve Beaumont for the magazine
Maximum Rocknroll praised the book for having shocking and interesting contents "with something for everybody"; he called the entry by the serial killer Carl Panzram particularly horrifying, and praised the diversity of ideas included. Beaumont argued the book should have provided some guidance on what constitutes a "rant" or what about them was worth paying attention to, though said this was ultimately only a minor issue, as "Rants holds no pretentions of being an academic publication" so should "not have to answer to questions of content and worth". Oldfield argued
Stanisław Szukalski's contribution was the most bizarre, saying it made the pseudoscience writer
Erich von Däniken seem the scientific establishment.
Small Press Review said "the selections are well chosen and all evidence the passion and urgency which are common to this form", and that the book evidenced that the rant was a distinct form. Some reviewers praised the more obscure inclusions. Beaumont argued that "the common theme which binds the fifty seven pieces in Rants together is the fact that each and every one is written with the kind of passion that most writers just dream about" with "a new philosophy, a new ideology, and a new form of extremism". Allen wrote that its contents ranged from entertaining to "hellish goop". Blank said the book successfully showed that "acerbic writing" was "a fascinating yet neglected form of communication". However, he criticized its lack of women ranters, and found the whole thing to be "a bit cold and detached" in intention.
Factsheet Five found some of its exclusions strange, though praised its introduction. == References ==