His employment was to be short lived however since in 1920 Kennedy accepted the position of architectural designer within the "design and build" firm of
Meyer & Holler in
Los Angeles, California. In this position he began an expanded activity in his career. While associated with Meyer & Holler, Kennedy was able to leave his mark on the architectural landscape of early modern Los Angeles. In 1929 the firm of Meyer & Holler was greatly impacted by
the Great Depression. The decline in real estate values and dramatically lowered demand for construction in general brought to an end the operations of Meyer & Holler.
Selected buildings • First Church Christian Scientists, Los Angeles • First Church Christian Scientists, Glendale •
Fox Theatre (Fullerton), Fullerton •
Grauman's Chinese Theater, Hollywood • Hollywood National Building, Hollywood • International Mart Building, Los Angeles •
Ocean Center Building, Long Beach • Petroleum Securities Building, Los Angeles • Quinby Office Building, Los Angeles • Twenty Sixth Church of Christian Scientists, Los Angeles
Grauman's Chinese Theater The
Chinese Theater has taken a significant place in world architectural history and an iconic part of Hollywood. Kennedy was responsible for 99% of all sketches made of the architectural features for the theater that was developed by his employer,
Meyer and Holler. Meyer and Holler was the design-build firm that had already built
Grauman's Egyptian Theatre for
Sid Grauman. The ground breaking for the Chinese took place on January 5, 1926, and the construction was to be completed by December 28, 1926. The grand opening of Grauman's Chinese Theater in
Hollywood, California, was on May 18, 1927, and was the most spectacular theater opening in motion picture history. Kennedy's design of the theater displayed his classical, sophisticated training and his exuberant use of color and unique styles. Kennedy, along with fellow architect
Donald Wilkinson, arranged the forecourt and facade of the Chinese theater to echo the layout of the
Piazza San Pietro and the massing of
Sant'Andrea al Quirinale in
Rome, respectively. He thus managed to subtly associate the function of the movie theater with that of sacred space, thereby helping to legitimize the cinema at a time when its morality was being questioned. ==University of Southern California==