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Raymond Warren

Raymond Henry Charles Warren was a British composer and university teacher.

Biography
Raymond Warren was born in Axbridge, Somerset on 7 November 1928. His mother was Gwendoline C. Warren, née Hallett. Warren studied at Bancroft's School and Corpus Christi College, Cambridge (1949–52), In 1972 he was appointed Professor of Music at the University of Bristol, a post from which he retired in 1994. Following retirement he composed to commission for a wide variety of performers notably the Brunel Ensemble (Symphony No.3, In My Childhood) and the London Children's Ballet (Ballet Shoes, 2001). He collaborated with many other artists of note including the poets John Reed, Seamus Heaney, Michael Longley and Charles Tomlinson, the choreographer Helen Lewis and the founders of the Lyric Theatre, Belfast, and wrote for performers including Peter Pears, Julian Bream, Eric Gruenberg, Cecil Aronowitz, Janet Price, Christopher Austin, Jeremy Huw Williams, David Ogden and the Dartington String Quartet. As a teacher, Warren's students included a number of composers and musicians who have gone on to have significant careers including: Christopher Austin, Eibhlis Farrell, Philip Hammond, David Byers and Will Todd. Warren died on 4 June 2025, at the age of 96. ==Music==
Music
Major works include the oratorio The Passion (1962), Symphony No.1 (1964), the Violin Concerto (1966), Songs of Old Age (1968), Symphony No.2 (1969), the oratorio Continuing Cities (1989), Symphony No.3 (1995), In My Childhood (1998) and Cello Requiem (2018) as well as his six operas. Four of the operas were written for children. Two of them, Let My People Go and St. Patrick, were commissioned by the Liverpool Education Authority and first performed by the Liverpool Schools Symphony Orchestra. Song cycles include Spring 1948 (1956), The Pity of Love (1966), Songs of Old Age (1968), the orchestral song cycle In My Childhood (1998), Another Spring (2008) and The Coming (2010). His shorter choral works include the cantata The Death of Orpheus (1953 revised 2009), the motet Salvator Mundi (1976), The Starlight Night (1990), the evening canticles written for Bristol Cathedral: The Bristol Service (1991) and Celtic Blessings (1996). Music for dance includes two notable collaborations with Helen Lewis, There is a Time (1970) and the London Children's Ballet, Ballet Shoes (2001). Warren worked closely with several poets, providing instrumental music to complement spoken words, including Lares (1972) with Michael Longley and The Sound of Time (1984) with Charles Tomlinson. The first of these was with his contemporary Seamus Heaney, A Lough Neagh Sequence (1970). Warren wrote: Heaney made a recording of this version of his poetry with Warren's music in 2011. Many of his shorter works are among his most powerful including the solo cantata for flute, piano and mezzo soprano, Drop, Drop Slow Tears (1960) and the Song for St. Cecilia’s Day (1967) scored for tenor, flute, viola, guitar and first performed by Peter Pears, Richard Adeney, Cecil Aronowitz and Julian Bream. His best selling work as a recording is the orchestral suite Wexford Bells (1970). ==Selected works==
Selected works
(Impulse Music has a complete list) ==Discography==
Discography
Bristol Service, Bristol Cathedral Choir, Priory PRCD 528 • In My Childhood, A Lough Neagh Sequence, Piano Sonata No 2, on 'The Next Ocean'. Raymond Warren and Seamus Heaney (reader), Philip Mead (piano), Olivia Robinson (soloist), University of Hertfordshire Chamber Orchestra conducted by Robin Browning. UH Recordings (2011) • Golden Rings, Magnificat and Nunc Dimittis and Salvator Mundi (Bristol Graduate Singers conducted by Edward Davies) • Symphony No 3, Pictures with Angels. The Brunel Ensemble conducted by Christopher Austin (1996) • Monody; Chaconne. Peter Jacobs (piano). Severnside Composers' Alliance Inaugural Piano Recital. Dunelm Records (2005) • Wexford Bells, Royal Ballet Sinfonia, Gavin Sutherland, on 'British Light Music Discoveries', ASV CD WHL 2126 (2000) == Publications ==
Publications
• Warren, Raymond: Opera Workshops: Studies in Understanding and Interpretation (Brookfield, 1995) • Warren, Raymond: The Composer and Opera Performance in Thomas, W. (ed.), Composition – Performance – Reception: Studies in the Creative Process in Music, Ashgate, 1998, • Davies, Edward. Raymond Warren: A Study of His Music. Work in preparation. == References ==
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