praised
Chandler Canterbury for his "winning, and completely convincing" depiction of Zach Bonner.
The Christian Posts Emma Koonse called the film the "heartwarming true story of one little boy's dream to end the suffering of those without homes".
Columbia College Chicago adjunct professor Brian Costello wrote for
Common Sense Media that "for a 'movie with a message', this is among the best to come out in recent years, and should inspire discussion -- and perhaps action -- amongst families about the issues they care about the most". Steve Persall of the
Tampa Bay Times said
Little Red Wagon "is such a sweetly inspiring story" and "a movie with a heart as big as Zach's and an endlessly wholesome way of expressing it". Debbie Holloway of
Crosswalk.com wrote that
Little Red Wagons plot is "inspiring, with noteworthy flaws"; she found the dialogue and transitions to be oversimplified on some occasions.
Christian Broadcasting Network reviewer Hannah Goodwyn had a similar view as Holloway's about the film's oversimplified plot and conversations, writing that although "[t]his family-friendly movie has its moving moments, the discerning moviegoer may find the story too simplified". Although Mathew DeKinder wrote that "the acting is wooden, the dialogue is even worse and the plotting is almost nonexistent", he said the film was "redeemed by its subject matter", that of a boy who founds a non-profit organization to assist homeless youth. Isaac Weeks wrote a mostly negative review of
Little Red Wagon, saying that although the film had a strong cast in its three women stars, it was "hamstrung by a too-small budget and a child actor who delivers a performance equally as uninspiring as the final product of the film". Finding the film "conflict-free to the point of catatonia", she criticized
Little Red Wagon for being unrealistic. For instance, Bonner's philanthropic work is portrayed as being without difficulty. He has no trouble getting companies to donate money to his organization. His single mother, VanDenburgh wrote, has a "dubious Southern accent" and appears not to do any work for her real-estate job. VanDenburgh found the homeless mother and son in the subplot similarly unrealistic because the duo appear perfectly nourished and immaculately clean despite being forced by their indigence to sleep in a car. Furthermore, despite his dire circumstances, the homeless son is content. VanDenburgh concluded that "[t]he film just doesn't have the nerve to get real". ==Screenings==