Reginald Mills

Mills studied at Christ's College, Cambridge, graduating with a degree in modern languages in 1934. He was the assistant to David Lean (then an editor) on two films directed by Paul Czinner, As You Like It (1936) and Dreaming Lips (1937). Mills then worked for Publicity Films at Merton Park Studios, both as a director and editor of films for commercial clients. ==Years with Powell and Pressburger==

After the war he began a fruitful association with the film-making partnership called "The Archers", which was led by Michael Powell and Emeric Pressburger. His first credit was for A Matter of Life and Death (1946), followed by Black Narcissus (1947). Mills received an Academy Award nomination for his work on the Archers' ballet film, The Red Shoes (1948). A 2010 appreciation of the film by Peter Canavese notes Mills' contributions, "The still astonishing expressionistic dance sequence that stands as a performance of the Ballet Lermontov's The Red Shoes ... is rapturous, as a feast of theatrical lighting and Technicolor photography (shot by the brilliant cinematographer Jack Cardiff), the choreography of Robert Helpmann, the music of Brian Easdale and the montage of editor Reginald Mills." Implicitly acknowledging its editing, Michael Sragow wrote in 2011, "Yes, The Red Shoes is ecstatic entertainment. ... But is it realistic? Only in the manner of an Expressionist painting. Powell and Pressburger create a stylized, intoxicating environment that fuses art and life and dance and cinema." The Tales of Hoffmann (1951) also incorporated ballet in its adaptation of the original Offenbach opera, and André Bazin wrote at the time, "The cinema thus creates here a new artistic monster: the best legs adorned by the best voice. Not only is opera liberated from its material constraints but also from its human limitations. Lastly, dance itself is renewed by the photography and the editing, which allows a kind of choreography of the second degree where the rhythm of the dance is served by that of the cinema." The Battle of the River Plate (1956) was Mills' last film with Powell and Pressburger, whose partnership broke up shortly thereafter. Mills had edited twelve films for The Archers. ==Later career==

Mills edited seven films with Joseph Losey, an American director who settled in Britain after being blacklisted at home. Mills edited Losey's first British film, The Sleeping Tiger (1954). Perhaps the most successful film of their collaboration was The Servant (1963), which is considered to be a high point in Losey's career. Mills subsequently produced the documentary Franco Zeffirelli: A Florentine Artist (1973) based on the filming of Zeffirelli's Brother Sun, Sister Moon; the documentary was not included in the 2004 DVD release of the film. He received BAFTA nominations for his editing of two films with director Franco Zeffirelli: Romeo and Juliet (1968) and Jesus of Nazareth (1977). Mills was the supervising editor for Zeffirelli's Brother Sun, Sister Moon (1972). Mills last credit was as consulting editor on still another Zeffirelli picture, The Champ (1979). ==Further reading==