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Reputation (album)

Reputation is the sixth studio album by the American singer-songwriter Taylor Swift. It was released on November 10, 2017, through Big Machine Records. She conceived the album during a hiatus in 2016–2017, amidst the controversies that blemished her once-wholesome public image.

Background
The American singer-songwriter Taylor Swift transformed her artistic identity from country music to pop music with her fifth studio album, the synth-pop record 1989. Released in October 2014, 1989 attained a commercial success that turned Swift into a pop icon—it spent a full year in the top 10 of the United States Billboard 200 chart, and five singles peaked in the top 10 of the United States Billboard Hot 100 chart and received heavy rotation on radio for over a year and a half. Swift's heightened fame was accompanied by increasing media scrutiny and controversies in 2015–2016 that blemished her "America's Sweetheart" image. Critics accused her feminist identity and "squad" of female celebrity friends including fashion models, actresses, and singers, as being elitist; her romantic relationships with Calvin Harris and Tom Hiddleston as publicity stunts; and her political neutrality as an alignment with the alt-right movement. Her feud with the rapper Kanye West and the media personality Kim Kardashian over West's song "Famous", in which he claims he made Swift a success ("I made that bitch famous"), was the culmination point. Swift said she never consented to the lyric, but Kardashian released a phone recording in which Swift consented to another portion of the song. Although the phone call was later revealed to have been purposely edited after the transcript leaked in 2020, the incident turned Swift's media image into that of a fake and calculating woman. Swift became a subject of an "IsOverParty" hashtag on Twitter, where her detractors denounced her as a "snake". Her publicity was so negative that her victory in a sexual assault trial had minimal impact in improving her image, despite it being part of a wider, ongoing public debate about sexual misconduct in the entertainment industry. Swift withdrew from social media and press interviews despite a large following and went into a hiatus in 2016–2017, believing that "people might need a break from [her]". == Recording and conception ==
Recording and conception
co-produced six Reputation tracks; his recording sessions with Swift mostly took place at his Brooklyn home studio.|alt=Jack Antonoff playing a guitar During seclusion from public appearances, Swift wrote Reputation as a "defense mechanism" against the rampant media scrutiny targeting her and a means to revamp her state of mind. She said in a 2019 Rolling Stone interview that she followed the songwriting for her 2014 single "Blank Space", which satirizes the criticism targeting her for dating "too many people" in her twenties, and wrote Reputation from the perspective of a character that others believed her to be. In a 2023 Time interview, she described the album's creation as "a goth-punk moment of female rage at being gaslit by an entire social structure". Although the media gossip was a major inspiration, recurring romantic themes of love and friendship that had been dominant in Swift's songwriting remained intact. She recalled that amidst the "battle raging on" outside, she found solace in quiet moments with her loved ones and began creating a newfound private life on her own terms "for the first time" since starting her career. She executive produced the album and co-wrote all of its 15 tracks. Martin and Shellback co-wrote and produced nine, and Antonoff co-wrote and co-produced the remaining six, all of which were co-produced by Swift. Ali Payami, Oscar Görres, and Oscar Holter each co-wrote and co-produced a track with Martin and Shellback: "...Ready for It?", "So It Goes...", and "Dancing with Our Hands Tied". Recording sessions with Antonoff mostly took place at his home studio in Brooklyn, with several trips to Atlanta and California for him to incorporate ideas from other producers. He wanted Swift to capture her emotions at a particular time when "you can feel like you can conquer the world, or you can feel like the biggest piece of garbage that ever existed", resulting in a "very intense" record. == Musical styles ==
Musical styles
Primarily an electropop and synth-pop album, Reputation incorporates R&B, and EDM. It features a heavy, maximalist electronic production with EDM instrumentation and rhythms. The melodies are characterized by abrupt dynamic shifts, propulsive bass notes, pulsating synthesizers, and insistent programmed drum machines. Pitchfork's Jamieson Cox described the instrumentation as "hair-raising bass drops, vacuum-cleaner synths [...], stuttering trap percussion, cyborg backing choirs". with Neil McCormick from The Daily Telegraph deeming it "a big, brash, all-guns-blazing blast of weaponised pop". "...Ready for It?" has an industrial production backed by a thumping bassline, "End Game" features sputtering trap beats, "I Did Something Bad" is punctuated by a dubstep drop, The power ballad "So It Goes..." has an atmospheric trap-pop production. "King of My Heart" features surging keyboard instruments in the pre-chorus and thumping drums in the post-chorus, The second half, mostly driven by Antonoff's 1980s-synth-pop production characterized by pulsing synthesizers and upbeat refrains, brings forth a softer, more emotional sound. Jon Caramanica of The New York Times described the change of tone: "in the beginning, [Swift] is indignant and barbed, but by the end she's practically cooing." The latter, produced with an Akai MPC and strings simulated by a Yamaha DX7 synthesizer, incorporates a subdued, trap-R&B production. The closing track, the piano ballad "New Year's Day", is the album's only acoustic song; most prominently hip-hop, trap, R&B, and progressive R&B, Cox found this influence to strip her vocals off their expressiveness and give them a conversational quality. and "Dress", a slow jam. On tracks such as "Delicate", "Getaway Car", "King of My Heart", her vocals are processed with a vocoder, which NPR's Ann Powers attributed to the influence of rappers and R&B artists. == Themes and lyrics ==
Themes and lyrics
Swift said that Reputation consists of a linear timeline: it begins with how she felt when she started working on the album and transitions to how she felt by the time she completed it. Inspired by the fantasy series Game of Thrones, she split the album into two sides; one contains songs about vengeance and drama, and the other about finding love, friendship, and "something sacred throughout all the battle cries". The series' characters and little hints to foreshadow the story lines, which Swift considered "cryptic", prompted her to finesse her songwriting and include "cryptic" messages through which she hoped to communicate with fans. It references alcohol and sex more than any of Swift's previous records, Despite the first few tracks about outright vengeance and anger, much of Reputation is about romantic themes of finding love, intimacy, and expressing one's vulnerability when one thinks they might have suffered too much to love again. For Rob Sheffield, the album is a song cycle about how one stops chasing romance and defining their life based on others' perspectives. Inspired by the novel Crime and Punishment by Fyodor Dostoevsky, it incorporates a criminal metaphor that recurs on other tracks. Swift said its mentions of bank heists, robbers, and thieves, a "twisted" but "interesting" way to depict "finding your partner in crime". "I Did Something Bad" is narrated from the perspective of a female character who manipulates men "King of My Heart" is a straightforward love song in which the narrator proclaims herself as her lover's "American queen" and how the couple rules their "kingdom inside [her] room". In "Dress", which features overtly sexual lyrics, the narrator claims that she "only bought this dress" to be taken off by her lover and how she does not "want [them] like a best friend". "This Is Why We Can't Have Nice Things" was inspired by Swift's observation of how people take things for granted. It references her 4th of July parties, filled with champagne and having her "feeling so Gatsby for that whole year". In the track, the narrator calls out her enemies and former friends. When she tries to get diplomatic with them ("forgiveness is a nice thing to do"), she laughs at the idea. The two closing tracks, "Call It What You Want" and "New Year's Day", summarize Swift's state of mind after she learned how to welcome and prioritize certain things in her life. In "Call It What You Want", the narrator accepts that her reputation might be unredeemable ("They took the crown but it's alright") and meditates on the transformative power of her relationship ("My baby's fly like a jetstream, high above the whole scene"). The closing track, "New Year's Day", sees the narrator and her lover cleaning up after a New Year's party. On the inspiration, Swift explained that although kissing someone on New Year's Eve is a romantic idea, having someone by one's side the morning after "to give you Advil and clean up the house" is even more so. == Release ==
Release
Marketing and distribution On August 18, 2017, Swift blanked out all of her social media accounts, which prompted media speculation on new music. In the following days, she uploaded silent short videos of CGI snakes onto social media, which attracted widespread press attention. Imagery of snakes was inspired by the West–Kardashian controversy and featured prominently in the album's promotional campaign. On August 23, she announced on Instagram the title Reputation and released the cover artwork. Photographed by Mert and Marcus, the cover is a black-and-white photograph of an expressionless Swift in slicked-back hair, a loose-fitting grey sweatshirt with a zig-zag stitch on the right shoulder, and a choker necklace. Her name is printed multiple times over one side of her face, in a typeface resembling that used in newspapers. Media outlets interpreted the design as a mockery at the media scrutiny. The cover inspired many internet memes and was listed among the worst album covers of 2017 by Billboard and Exclaim! The latter dismissed it as a "packaging for a sickly sweet, heavily discounted celebrity fragrance you'd find on the back shelf at Shoppers Drug Mart". Reputation lead single, "Look What You Made Me Do", was released on August 24. The single peaked at number one on the Billboard Hot 100 in its second week of charting, with the biggest single-week sales and streaming figures of 2017 in the United States, and was Swift's first number-one single in the United Kingdom; its music video broke the record for the most 24-hour views on YouTube. Shortly after the single's release, UPS announced a partnership with Swift, which included Reputation-branded trucks and award-winning contests promoting the album across US cities. Other corporate tie-ins were a Ticketmaster partnership for a concert tour; an AT&T deal for a behind-the-scenes series chronicling the making of Reputation; and a Target partnership for two deluxe album editions, each featuring an exclusive magazine with poetry, paintings, handwritten lyrics, and behind-the-scenes photography. Swift collaborated with ESPN to preview the second single, "...Ready for It?", during a college football match on September 2; it opened at number four on the Billboard Hot 100. Kate Knibbs of The Ringer labelled the partnerships as "maximum commercialization" and wrote, "If [Swift] was going to be a snake, she was going to be an ultracapitalist snake." and the track "New Year's Day" premiered during the broadcast of an episode of ABC's Scandal. Throughout late 2017 and early 2018, a string of singles were released to support the album: "End Game" was released to French radio by Mercury Records on November 14, "New Year's Day" impacted US country radio on November 27, and "Delicate" was released to US pop radio on March 12. The last of which was the album's most successful radio single, Swift began re-recording her first six studio albums, which include Reputation, in November 2020. This decision followed a 2019 dispute between Swift and the talent manager Scooter Braun, who acquired Big Machine Records and the masters of Swift's albums. Re-recording them would enable her to have full licensing rights of her songs for commercial use. On May 30, 2025, the dispute ended with Swift acquiring the masters to those albums; the re-recorded version of Reputation had not been completed by that point. Performances in 2018|alt=Taylor Swift performing while dressed in a black dress Although Swift had actively promoted albums with extensive press interviews and television appearances, she opted out of such a campaign for Reputation. She instead held exclusive secret album-listening sessions within one month in advance for fans selected from social media by herself, hosting them at her homes in Rhode Island, Los Angeles, London, and Nashville. She appeared on the cover for British Vogue, for which she appointed her own photographers and published a self-written poem instead of giving an interview. In an interview with Zane Lowe for Apple Music in May 2019, Swift said she turned down interviews because she felt no need to explain the album and used music as the only medium to convey her thoughts and feelings. On the title's all lowercase styling, she said it was because the album "wasn't unapologetically commercial"—that it "took the most amount of explanation, and yet it's the one [she] didn't talk about". She embarked on the Reputation Stadium Tour, which kicked off on May 8, 2018, in Glendale, Arizona and featured supporting acts such as Charli XCX and Camila Cabello. The tour's visual and stage settings incorporated prominent snakes imagery. It encompassed 53 shows across four continents and wrapped up on November 21, 2018, in Tokyo, Japan. The track "Getaway Car" was released as an Australasia-exclusive single to support the Oceanic leg of the Reputation tour in October and November. Earning $266.1 million, the 38-show North American leg surpassed the Rolling Stones' 70-show US leg of their A Bigger Bang Tour ($245 million; 2005–2007) to become the all-time highest-grossing North American tour. In total, the Reputation Stadium Tour grossed $345.7 million, according to Billboard Boxscore. The second show at AT&T Stadium in Arlington, Texas, was recorded and released as a Netflix exclusive on December 31, 2018. == Commercial performance ==
Commercial performance
In the United States, Reputation sold 700,000 copies after one day of availability and 1.05 million after four days. The album opened at number one on the Billboard 200 with first-week figures of 1.238 million album-equivalent units that consisted of 1.216 million pure sales. It sold more than all other albums on the chart that week combined, and it immediately became the best-selling album of 2017. Reputation made Swift the first artist to have four albums each sell more than a million copies within one week since Nielsen SoundScan began tracking US music sales in 1991. The strong sales of Reputation contributed to an industry debate over the impact of streaming on album sales, The album spent four non-consecutive weeks at number one on the Billboard 200 and topped the 2018 Billboard 200 Year-End chart. After Swift acquired the master recordings to her first six studio albums including Reputation, the album re-entered the Billboard 200's top five in May 2025, having last appeared in the top 10 in August 2018. Reputation had sold 2.478 million copies in the United States by January 2024, and it was certified seven-times platinum for surpassing seven million equivalent units in the United States by the Recording Industry Association of America (RIAA) in September 2025. In the English-speaking countries, the album reached number one and was certified eight-times platinum in Canada, six-times platinum in Australia == Critical reception ==
Critical reception
Upon its release, Reputation received positive but often polarized reviews from critics. The album earned a weighted average score of 71 out of 100 on Metacritic, based on 28 reported reviews. Many critics praised Swift's personal lyricism and songwriting depicting vulnerability and intimacy despite the first impressions of a vindictive record. Reviews by Slant Magazine's Sal Cinquemani, For Nelson, the album found Swift adopting black-music styles and African-American Vernacular English, a "reflection of a wider cultural problem". Some reviewers agreed that Reputation black-music influences were controversial and a probable case of cultural appropriation, but Caramanica welcomed them as a sign of Swift embracing modern pop-music trends. Cinquemani called it a good pop album but found it blemished at times by "tired, repetitive EDM tricks", and Pitchfork's Jamieson Cox lamented how Swift's lyrical craftsmanship was overshadowed by what he deemed a conventional and unoriginal production. The Boston Globe's Terrence Cawley and Billboard Jason Lipshutz identified some stylistics missteps but said the experiments were worthwhile and made an enjoyable listen. The Associated Press's Meskin Fekadu and Variety's Chris Willman hailed Reputation as an outstanding pop album; the latter lauded the balance between Swift's singer-songwriter lyrical strengths and the "up-to-the-second rhythmic pop" of mainstream music. == Accolades ==
Accolades
Reputation featured on several publications' lists of the best albums of 2017, ranking on such lists by Time (fifth), Rolling Stone (seventh), Slant Magazine (17th), The Independent (19), Complex (26th), NME (31st), and Spin (48th). On the mass critics' poll Pazz & Jop coordinated by The Village Voice, the album ranked at number 71 out of the 100 albums voted as the best of 2017. On individual critics' lists, it appeared on those by Sheffield (second), Caramanica (fifth), and Mikael Wood of the Los Angeles Times (unranked). On Slant Magazine list of the best 2010s-decade album published in 2019, Reputation ranked at number 88. At industry awards held in 2018, the album won an American Music Award for Favorite Pop/Rock Album, a Billboard Music Award for Top Selling Album, a Libera Award for Independent Impact Album, and a Japan Gold Disc Award for Best 3 Albums (Western). It received nominations including an ARIA Music Award nomination for Best International Artist, a Billboard Music Award nomination for Top Billboard 200 Album, At the 61st Annual Grammy Awards, Reputation was nominated for Best Pop Vocal Album, with several publications viewing the lack of a nomination for Album of the Year or any other category as being a snub. The album's packaging and design won two awards from the American Advertising Federation. == Legacy ==
Legacy
Popular culture and politics Released amidst negative press and after Swift's hiatus, Reputation was regarded by several journalists as her comeback. Some critics interpreted the release during the Donald Trump presidency as a political statement—whereas many celebrities voiced their opposition to Trump's controversial policies, Swift's inaction during the 2016 presidential election was highlighted in the press as a shocking phenomenon. Detractors denounced her as aloof and tone-deaf to contemporary political landscape, According to Hyden, the album was released amidst a "moral apocalypse" in the entertainment industry, when sexual assault against women was being "re-contextualized in the popular consciousness as expressions of dominance and humiliation". In defense of Swift, the academic and journalist Jane Martinson said that Swift's disengagement from the press represented her efforts to control the narrative and was an empowering move for young women. Commenting on the album's rollout cycle, the music scholar Jadey O'Regan remarked how Swift used "the art of pop in the best way" for utilizing "the way she's been stereotyped in popular culture". The film director Jennifer Kaytin Robinson cited Reputation as an inspiration for her 2022 teen comedy film Do Revenge. Critical reevaluation Critics have regarded Reputation as an album that stood the test of time. Billboard Andrew Unterberger wrote in August 2019: "With a couple years' clarity, removed from all the backlash against Swift for her perceived insincerity (and political neutrality), we can now look back on Reputation for what it actually was: a very good pop album that was very successful." and, as part of a 2022 piece titled "What Were We Thinking? 15 Times We Were Wrong", opined that the publication's initial review was influenced by Swift's negative press and its score should have been higher. and Caramanica in 2025 regarded it as Swift's riskiest, most shocking, and most inventive album of her career. Joe Lynch of Billboard attributed the initial criticism to the general preconception disregarding lyrics in synthesizer-based arrangements; "Which is a shame, because on Reputation, Swift's words deliver vivid Polaroid shots directly to your brain." Rolling Stone Kara Voght said the album was Swift's first to "truly be in conversation with its pop contemporaries" and identified some of its songs as her artistic heights. When ranking Swift's 11 albums for The New York Times in 2024, Caramanica ranked Reputation at number one. He contended that the album showcased Swift's "real growth" on a narrative level by owning up her character flaws and expressing vulnerability, even embracing the frailties of fame and celebrity. == Track listing ==
Track listing
Notes • signifies an additional vocal producer. • "Look What You Made Me Do" contains an interpolation of the 1991 song "I'm Too Sexy" by the band Right Said Fred. == Personnel ==
Personnel
Taylor Swift – vocals, backing vocals , producer ; executive producer; packaging creative design, package direction, creative packaging direction • Max Martin – producer, keyboards, programming ; recording ; piano ; backing vocals • Shellback – producer, keyboards, programming ; drums ; bass ; guitars • Ali Payami – producer, keyboards, programming • Jack Antonoff – producer, programming, instruments ; backing vocals ; piano, bass, guitar, synthsOscar Görres – producer, keyboards, programming, piano • Oscar Holter – producer, keyboards, programming • Michael Ilbert – engineer • Sam Holland – engineer • Laura Sisk – engineer • Noah Passovoy – engineer • Cory Bice – assistant engineer • Jeremy Lertola – assistant engineer • Jon Sher – assistant engineer • Ed Sheeran – featured artist • Future – featured artist • Ilya Salmanzadeh – additional vocal production • Seth Ferkins – engineer • Sean Flora – assistant engineer • Peter Karlsson – assistant engineer • Mike  – assistant engineer • Daniel Watson – assistant engineer • Victoria Parker – violins ; viola • Phillip A. Peterson – cellos • Evan Smith – saxophones • James Reynolds – baby voice intro • Sean Hutchinson – drums • Serban Ghenea – mixing • John Hanes – mix engineer • Randy Merrill – masteringMert and Marcus – photography • Mat Maitland – photo creative direction • Joseph Cassell – wardrobe stylist • Isamaya Ffrench – makeup • Lorraine Griffin – manicurist • Paul Hanlon – hair • Josh and Bethany Newman – packaging art direction • Ben Fieker – packaging design • Parker Foote – packaging design • Austin Hale – packaging design == Charts ==
Charts
Weekly charts Monthly chart Year-end charts Decade-end charts == Certifications ==
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