The date of the painting is disputed. According to Caravaggio's contemporary
Giulio Mancini, this painting and the
Penitent Magdalene, together with an unidentified painting of
Saint John the Evangelist, was done while Caravaggio was staying with Monsignor
Fantino Petrignani, shortly after leaving the workshop of
Giuseppe Cesari. This probably happened in January 1594. However, there are problems with accepting Mancini's statement. To begin, none of these three works were listed in Petragnani's inventory of 1600, although it is possible that they could have been painted for another patron. More seriously, the painting has an obvious and direct compositional source in
Annibale Carracci's
The Choice of Hercules, which was completed early in 1596 and widely admired: the pose of Caravaggio's angel, for example, is closely based on that of Carracci's figure of Vice. While John Gash (2003) accepts Mancini's testimony, others, including
Peter Robb and
Helen Langdon (both 1998), have raised the possibility that it was painted for Cardinal
Francesco Maria del Monte, who made Caravaggio in effect his household artist from about 1595 or 1596. The sophisticated treatment is appropriate for the Cardinal's intellectual tastes and interests (the music held by Joseph is a motet by the Flemish composer
Noel Bauldeweyn, with a text from the
Song of Songs dedicated to the Madonna,
Quam pulchra es, "How beautiful you are"), and it is unlikely that the artist would embark on a work like this other than as a direct commission. ==Style==