Mid-18th–early 20th centuries -representing
Uspenski Cathedral from 1868 in
Katajanokka,
Helsinki, Finland The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given political currency in the wake of the
French Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent of nations. In addition to the credo of universal Classicism, two new, and often contradictory, attitudes on historical styles existed in the early 19th century. Pluralism promoted the simultaneous use of the expanded range of style, while Revivalism held that a single historical model was appropriate for modern architecture. Associations between styles and building types appeared, for example:
Egyptian for prisons,
Gothic for churches, or
Renaissance Revival for banks and exchanges. These choices were the result of other associations: the
pharaohs with death and
eternity, the
Middle Ages with Christianity, or the
Medici family with the rise of banking and modern commerce. Whether their choice was
Classical, medieval, or Renaissance, all Revivalists shared the strategy of advocating a particular style based on national history, one of the great enterprises of historians from the mid-18th to early 19th centuries. Only one historic period was claimed to be the only one capable of providing models grounded in national traditions, institutions, or values. Issues of style became matters of state. The most well-known Revivalist style is the
Gothic Revival one, that appeared in the mid-18th century in the houses of a number of wealthy antiquarians in England, a notable example being the
Strawberry Hill House. German
Romantic writers and architects were the first to promote Gothic as a powerful expression of national character, and in turn use it as a symbol of national identity in territories still divided.
Johann Gottfried Herder posed the question 'Why should we always imitate foreigners, as if we were Greeks or Romans?'.
Mid-20th century–present Modern-day revival styles are frequently placed under the heading of
New Classical architecture. ==Styles==