The modern day notion of a unified and horrible "Inquisition" is an assemblage of the "body of legends and myths which, between the sixteenth and the twentieth centuries, established the perceived character of inquisitorial tribunals and influenced all ensuing efforts to recover their historical reality". "The [assembled] myth was originally devised to serve variously the political purposes of a number of early modern political regimes, as well as Protestant Reformers, proponents of religious and civil toleration, philosophical enemies of the civil power of organized religions, and progressive modernists..." It was the relatively limited persecution of
Protestants, mostly by the inquisitions in Spain and Italy, that provoked the first image of "The Inquisition" as the most
violent and suppressive vehicle of the
Church against
Protestantism. Later, philosophical critics of religious persecution and the
Catholic Church only furthered this image during the
Enlightenment.
Catholic opposition to the Spanish Inquisition "...an early major source of anti-Inquisition propaganda happened to be Catholic in origin. With the outstanding exception of the Holy Roman Empire, every significant Catholic state in Europe, including France, was at some time hostile to Spain." Contemporary political scientist
Niccolò Machiavelli (in
The Prince) suggested that King Ferdinand of Spain (who originated the Spanish Inquisition) used religion to his political and financial advantage. Italians under Spanish rule repeatedly revolted against the imposition of a Spanish Inquisition (such as revolts in Naples in 1547). Unpaid Spanish and Germanic mercenaries of the King of Spain (
Charles V, Holy Roman Emperor)
sacked Rome ten years after
Luther posted his
theses, besieging the Pope and ending Rome's pre-eminence in the Renaissance. Italian diplomats expressed a low opinion of the Spanish and their Inquisition.
Internal criticism of Spanish policies in the Americas was cited by foes of the Inquisition.
"A Protestant Vision..." "When the printing press first began to form public opinion ... the most diligent victims of the Inquisition happened to be supporters of the Reformation, and they set about convincing Europe that Spain's intentions ... were now directed against Christian truth and liberty."
The Inquisition was characterized by
clerical organization and support of the inquisitions in Spain and Italy, their "united" success in suppressing Protestant doctrines, and the fear of
The Inquisition being initiated elsewhere. "Propaganda along these lines proved to be strikingly effective in the context of the political conflicts of the time, and there were always refugees from persecution to lend substance to the story." "As a
Protestant vision of Christian history took shape in the 16th century, the contemporary inquisitions were identified with the inquisitorial tribunals of the medieval past, and the Protestant Reformers with earlier victims of
The Inquisition".
Catholic defenders of the inquisitorial process used the same argument – that the Reformers were no different from
medieval heretics and should be prosecuted in the same manner – thus perpetuating the idea of a continuous, masterminded
Inquisition. Both sides made emotional appeals; "Thus alongside various kinds of theological and personal polemic, a war of martyrologies commenced."
The Revolt of the Netherlands The Netherlands and Spain came to share rulers by marriage and inheritance among royal families. The Dutch chafed under the shared monarchy; their many states wanted to retain traditional autonomy while the crown sought centralized authority. The animosity between the King and the Netherlands had complex origins – political, economic, cultural, religious and personal. By around 1550, the Dutch "
printing press and propaganda turned to the service of political reform, with The Inquisition as a major focus, on...a wide scale and with...devastating effects". Even though the Dutch organized their own state-run
inquisitions, it was feared that King
Philip II would implement a new "Spanish Inquisition" in the
Netherlands to eliminate
Protestantism. Popular literature, circulating pamphlets, and other images painted the picture of a widespread, awful "Spanish Inquisition." A decree of the Spanish Inquisition signed by the King of Spain in 1568 declared most Dutch lives and property forfeit. The decree was not determined to be a forgery until the 20th century. Such anti-inquisition propaganda motivated
all citizens. Eventually, "The Inquisition" became viewed as the primary instrument of
Catholic tyranny, not only of
Protestants, but also of freedom of thought and religion in general. However, exporting the Inquisition to the Netherlands was never in the plans of the Spanish Habsburg rulers, at least after the time of
Charles V.
Montanus In 1567
A Discovery and Plaine Declaration of Sundry Subtill Practices of the Holy Inquisition of Spain was published under the pseudonym
Reginaldus Gonzalvus Montanus. While authorship is disputed, it was probably written by
Antonio del Corro and/or
Casiodoro de Reina, both previously Spanish Catholic monks who became Protestants and fled the Inquisition. The former was a theologian, close relative of an inquisitor and ferocious enemy of the Spanish Inquisition in its campaign to destroy Protestantism. The latter was a student of the Bible from childhood, later translating the Bible into Spanish. Montanus' text was "brief, intelligently designed, and written in a lively and engaging style." It was simultaneously accurate about Inquisitional practices (perhaps published for the first time) and misleading. "Taking some of the most extreme of Inquisitional practices as the norm, Montanus portray[ed] every victim of the Inquisition as innocent, every Inquisition official as venal and deceitful, [and] every step in its procedure as a violation of natural and rational law". The text included 12 case histories of Lutheran martyrs of the Inquisition which were widely read into the early 19th century. The document, along with a number of successive publications, was reprinted and translated throughout Europe and became the definitive source on
The Inquisition for many years; "histories" about
The Inquisition written after 1567 relied on Montanus as their main source. The Spanish Inquisition, regarding its procedures as secret, never disputed Montanus. In a public relations war of the press the Spanish Inquisition forfeited. For reasons of history England and France were particularly receptive to Montanus. English monarchs alternated between persecuting Catholics and persecuting Protestants. The French could not agree on a jurisdiction; parlementary and royal inquisitions had both failed. A more balanced history awaited the publication of
Philipp van Limborch in 1692.
Juan Antonio Llorente later published a more detailed, if exaggerated, history through his access to the archives of the Spanish Inquisition.
William of Orange Also cited as one of the most famous documents supporting the myth of "The Inquisition" is the
Apologie of
William of Orange, published in 1581. Written by the French
Huguenot Pierre Loyseleur de Villiers, the
Apologie presented a horrifying narrative of the Spanish Inquisition. This document preserved and reinforced all of the anti-"Inquisition" propaganda generated at the beginning and throughout the
Dutch revolt. William of Orange had been a personal friend of his King from childhood. Nonetheless he became the leader of the Dutch revolt. The King put a price on his head, leading to his assassination. de Villiers had been William's chaplain. The
Apologie was William of Orange's rebuttal of the charges made against him (and thus against the revolt). The assassination and rebuttal made William of Orange a martyr, unifying the opposition in a very long war which ultimately led to the formation of Belgium and the Dutch Republic as separate countries.
The Black Legend During this time, England, under the rule of the
Protestant Queen Elizabeth I and threatened with military attacks from Spain, found a new surge of nationalism being fueled by anti-Catholic propaganda centered on a series of books and pamphlets that detailed the horror of the "Spanish Inquisition". Peters writes, "An image of Spain circulated through late 16th-century Europe, borne by means of political and religious propaganda that blackened the characters of Spaniards and their ruler to such an extent that Spain became the symbol of all forces of repression, brutality, religious and political intolerance, and intellectual and artistic backwardness for the next four centuries. Spaniards ... have termed this process and the image that resulted from it as 'The
Black Legend', "la leyenda negra". Henry Kamen has criticized the concept, "Persistent employment of the [Black Legend] label for ideological ends in order to rebut any criticism of Spain's imperial record has made it both unsuitable to use and inaccurate. In any case many of Spain's actions ... were all too real and no "legend"." "At all times, imperial nations tend to suffer ... in the arena of public opinion, and Spain was no exception, becoming the first victim of a long tradition of polemic that picked on the Inquisition as the most salient point of attack."
The Enlightenment and Art By the 17th century, "The Inquisition" provided political and philosophical thinkers with an ideal symbol of religious intolerance. These
philosophers and politicians passionately denounced "The Inquisition," citing it as the cause for all the political and economic failures in countries where "Inquisitions" were held. From these
debates on toleration, "The Inquisition" was presented by French
philosophes as the worst of any religious evil to ever come out of Europe.Additionally, writers, artists, and sculptors of the 17th and 18th centuries used "The Inquisition" as one of their main inspirations, retaliating against "The Inquisition's" suppression of creativity, literature, and art. These artistic images have arguably become some of the most long-lasting and effective perpetuators of "The Inquisition" myth. == See also ==