Upon release, the graphic novel was compared to
Kurt Vonnegut's novel
Slaughterhouse-Five,
Chuck Palahniuk's novel
Fight Club and
Christopher Nolan's film
Inception. In combination with Kindt's prior works,
NPR felt
Revolver makes "quietly compelling arguments for the comics medium's narrative potential". While
Booklist and
Comic Book Resources faulted
Revolver for lacking the storytelling twists of
Super Spy and
3 Story, the faster pace was appreciated by the
Los Angeles Times. Despite this contemporary praise,
Revolver was described as a "forgotten" Vertigo comic by
Geek.com when it was included in a 2017 list of comic properties that could be adapted into successful TV show. In his review for
The Los Angeles Times,
Ed Park said the title
Revolver came from the repetitive way Sam's two lives followed one another, but noted similar themes between the comic and the Beatles' "schizophrenic" 1966 album
Revolver. Park went on to say the plot began "with the sort of
9/11 nightmare that's become a permanent feature of our headspace". The explanation of the story's hook seemed so contrived and irrelevant to the emotional core of the narrative that
The Comics Journal speculated it was only addressed because of interference from DC editorial. Kindt's art is an
acquired taste according to
Wired, but other reviewers offered less qualified praise for it.
The Comics Journal said the "fragile" and "delicate" line work gave
Revolver a "visceral charge". ==References==