In 1983 Abdoh began directing plays, often adapting classics like
King Lear,
King Oedipus, and
Medea in Los Angeles theaters. In 1990, Abdoh directed
Father Was a Peculiar Man, a multimedia performance produced by
En Garde Arts featuring more than 50 performers that occurred across four blocks of New York City's
Meatpacking District. That year he also wrote and directed
The Hip-Hop Waltz of Eurydice, staged at the
Los Angeles Theatre Center. Abdoh called it a "gut reaction to systemic repression and erosion of freedom" in an interview with Thomas Leabhart published in
Mime Journal. His work often confronted such issues as race, class and, the AIDS crisis. Abdoh worked on several productions with the
New York City and
Los Angeles theater ensemble Dar a Luz, which he formed in 1991. Productions with the company included
The Law of Remains (1992),
Tight Right White (1993) and
Quotations From a Ruined City (1994), co-written with his brother,
Salar Abdoh. His later work was called "nightmarish" and used multimedia elements with downtown theater conventions to "bombard" audiences.
New York Times critic
Stephen Holden called Abdoh "a theatrical visionary" in his obituary. Abdoh was known for his use of video in his sets, and he also created several videos between 1986 and 1991. In 1992 Abdoh wrote and directed the feature-length film
The Blind Owl. == Death ==