. Music writer Troy Moon, who viewed the tour's dress rehearsal, called the show "spontaneous, very loose and limber. It came off as nightclub funk, more
Prince than (Michael)." Music Critic Deborah Wilker remarked that "[Janet] does not present a serious threat to brother Michael, though she has proven beyond any doubt she is a formidable force in her own right." Commenting on her performance at the
Capital Centre in Landover, Richard Harrington of
The Washington Post noted that the growing trend of video screen use in concert had both advantages and drawbacks, such as [l]iving up to the very expectations engendered by those incessantly played video images." In reference to her showmanship, he stated that "[s]he doesn't quite command the stage yet, but she has little problem commanding attention, thanks to her spectacular dancing and the wonderfully aggressive choreography that informs the 90-minute show." He complimented her endurance for her 80-minute-plus show and downplayed criticism of lip-syncing by saying "[e]ven a classically trained vocalist would be hard-pressed to maintain any sort of level of volume—or, more appropriately, 'Control'—while bounding up and down stairs and whipping limbs in unnatural directions at impeccable, breakneck speed." Jackson also performed in
Osaka and
Yokohama before returning to the North America and then traveled to Europe for the final leg of her tour. In reference of the comparisons between her and brother Michael, Metella comments that "the 23-year-old Jackson throws herself into an orgy of non-stop dancing and extravagant theatrics that clearly express her talent and her personal philosophies. She may not have surpassed Michael yet, but she's closing in on him fast—using many of his own tricks, yet." In reviewing her performance at
Northlands Coliseum in
Edmonton, Canada, Metella reports that the use of lighting and sound effects made for an excellent routine in addition to the well received vocalization of songs like "
Control", "Nasty", and "
What Have You Done for Me Lately", "[b]ut it was the dancing that was most electrifying ...witnessing the astonishing pace and physical commitment of Jackson during the dance numbers could and did galvanize us into action of our own, which is exactly what the show was about." ==Commercial reception==