The
Classical Revival architecture style of architecture chosen for the Richard C. Lee U.S. Courthouse was commonly used for federal building design during the early twentieth century, because officials believed it conveyed the dignity of the federal government. The courthouse displays several hallmarks of the style, including the colossal
portico (entrance porch with columns) and
pediment (triangular gable end). The columns have Corinthian capitals with carved eagles and leaves. Niches flank the portico. The exterior of the building is clad in
Tennessee marble, and the exterior stairs are pink
Milford granite. Bronze window sashes, grilles, and the revolving doors provide contrast to the pale gray exterior. Important citizens in New Haven's history inspired the inscriptions on the exterior. The frieze contains words from a sermon delivered by Reverend
John Davenport in 1639: "Wisdom hath builded her house; she hath hewn out her seven pillars" (a quote from
Proverbs). Davenport was referring to the seven men who were selected to serve as the first General Court, and their names are inscribed on the building. The upper walls of the interior light court were incised with the names of five other prominent New Haven citizens and three military heroes. A carved band tops the building and includes coquillage, which are stylized seashells. An
acroterion, the ornament at the apex of the gable, is also a stylized shell. The interior retains many original features and rich finishes. Marble floors and pilasters (attached columns) are found in the ornate entrance lobby. The coffered (recessed) ceiling is intricately detailed with rosettes. The interior wall contains an elaborate bronze screen that led to the original postal workroom. Other original features that remain include writing desks, radiator grilles, and pendant light fixtures, which were specially designed by Rogers. The walls of the main stair and elevator lobbies are clad in the same
Tennessee marble as the exterior. However, the marble was finished to reveal more pink tones. Ceilings in this area are vaulted plaster overlaid with gold leaf. Ornate bronze elevator fronts and grilles remain. On the second floor, the courtroom lobby is lined with twenty monolithic, Tennessee marble columns with bronze scrolled Ionic capitals. Marble flooring,
wainscot, and benches contribute to the opulent finishes. A plaster cornice and coffered ceiling are painted in tones derived from the marble. In a 1919 article featured in
Architectural Forum, the courtroom was described as a "dignified, sumptuous room of perfect acoustic qualities." The lavish wall treatments combine fluted pilasters and paneling in quarter-sawn white oak that was stained a light olive color. The ornate plaster cornice and ceiling beams are finished to resemble the oak walls and highlighted with gold leaf. Remarkably, very few alterations were made to the building throughout the years. By 1980, however, it had fallen into disrepair. From 1982 to 1985, it underwent a massive
renovation and restoration. The work respected historic integrity while updating spaces to meet the needs of the courts and safety requirements. ==Significant events==