Elman returned to New York and worked for
Pacifica Radio station
WBAI-FM as its public affairs director from 1961 to 1964. He helped
Bob Fass, a boyhood friend, get work there. At WBAI, Elman produced radio documentaries, among them the sound
montage "The Last Days of
Hart Crane", which featured tape-recorded interviews of people who had been close to Crane. Poet
Robert Lowell came to the studio to listen to the montage in person, and later contributed to a second montage on
Ford Madox Ford's American years. In 1965, Elman worked as a research associate for the School of Social Work Research Center at Columbia University. His nonfiction
The Poorhouse State: The American Way of Life On Public Assistance evolved from those experiences; he spent two years interviewing people on relief on New York's Lower East Side. In 1967, Elman published another book of reportage,
Ill-at-Ease in Compton, about the mechanisms of discrimination at work in
Compton, California, a city with a large lower-middle-class population. Between 1963 and 1966 much of Elman's income came from writing freelance pieces for magazines, including
Cavalier, Commonweal,
The Nation, and
The New Republic. He also reviewed books for
The New York Times. In 1968, Elman published
The 28th Day of Elul, the first of a trilogy of novels, followed by ''Lilo's Diary
(1968) and The Reckoning
(1969). Each novel tells the same story from a different point of view about the fate of the Yagodahs, a Hungarian family at the end of World War II. Elie Wiesel said of The 28th Day of Elul
in his review for The New York Times'': "Born and raised in New York City, Richard M. Elman was barely 10 when the nightmare ended in Europe. Yet he evokes some of its living fragmentary images as though his voice came from within." In 1968, Elman signed the "
Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments to protest the Vietnam War. ==Nicaragua and the 1970s and 1980s==