. Its twin organ consoles are in alcoves on both sides of the stage By the late 1920s, Leibert had established his reputation as a skilled theater organist, renowned for his arrangements of popular melodies, including imaginative
reharmonisation and
bridges, as well as
syncopation and
transposition. In the era of
talking pictures when theater organists no longer provided silent film accompaniment and sound effects, Leibert offered 15-minute "organlogues" to entertain movie audiences in between feature films and other acts. His popular organlogues might include a classical piece, such as the
Poet and Peasant overture by
Franz von Suppé, various popular songs, and accompanying audience
sing-alongs, preceding the feature-length film. The evening's playbill at the Penn Theatre on August 23, 1931, was typical: a stage show with dancers, an orchestra number, one of Leibert's organlogues, and then the feature film,
Pardon Us, starring
Laurel and Hardy. In 1932, Leibert was organist at New York's
Brooklyn Paramount Theatre, playing its still extant
Wurlitzer organ, a four manual, 26-rank instrument with 1,838 pipes. A music critic for the
Brooklyn Times-Union said Leibert's performances there were those of a "master of the classics [who] usually manages to weave a finer piece of music into his songfest of popular melodies". When the
Radio City Music Hall opened in Manhattan on December 27, 1932, Leibert was appointed chief organist. In his new position, he played the Music Hall's "Mighty Wurlitzer" pipe organ, the biggest Wurlitzer
theater organ ever built, for thirty shows each week. Leibert had at his command an organ having twin 4-manual consoles so that both he and another organist could play the instrument's 58 ranks and 4,178 pipes simultaneously.
The New York Times described the Radio City organ as "like having an orchestra under your fingers and feet ... cymbals that crash, violins that swoon, tubas that oompah, xylophones that plunk and glockenspiels that plink". Leibert had his own radio program on the
NBC Radio Network in the 1930s and 1940s, playing a smaller Wurlitzer organ in a broadcasting studio at the Music Hall for 16 programs weekly. He also patented 32 "gadgets" for the pipe organ, newspapers reported in 1934. Leibert did annual concert tours, playing with such orchestra leaders of the period as
Paul Whiteman,
Charles Previn, Raymond Paige, and Erno Rappe. The year before he retired as Radio City Music Hall's chief organist, he played a special midnight concert, "Bach to
Bacharach", on the Mighty Wurlitzer for the convention of the
American Theatre Organ Society. ==Discography==