Conception and development 's talk show was retooled into
Ricki Lake. In 1992, television producers
Garth Ancier and Gail Steinberg conceived the idea of a talk show that targeted young adults. It materialized as
Jane, a show hosted by
Sassy editor
Jane Pratt that focused on young and explicit topics. It received a 13-week trial run on
WNYW; however, it was not renewed or picked up for
syndication. Ancier claimed that
Janes production company,
20th Century Fox, liked the show's format although not Pratt as host. Most of
Janes production staff was retained for Lake's show, which Ancier described as
Jane with a new host. The show's premiere featured the topic "I'm Getting Married But I Haven't Met My Husband Yet". Lake attempted to distance the show from the tabloid talk show subgenre, stating, "It's not exploitative. It's not crude. It's not freaks." Topics commonly discussed on the show included relationship issues, shoplifting, condoms, violence, drugs, and teen pregnancy. These discussions often focused on conflicts between the guests, with Lake claiming that "[t]he conflicts of real people are what people want to watch". The show experienced a content overhaul under Rourke, in which its focus shifted from conflict-driven topics to more mature discussions about relationships, sex, and women's success stories. Its topics were typically reflected through confrontational titles, such as "Back Off, Boys, I'm a Lesbian—You'll Never Have Me!" and "Yeah, I'm Only 13, But I’m Going to Have a Baby!" During the series' run, its primary focus was on dealing with personal subjects like parenting skills (including single mothers who are accused of having the lack of experience of taking care of children), romantic relationships (both marital and non-marital), LGBT issues (like discrimination, same-sex couples who want to have children or straight people attracted to a person who is LGBT or the other way around), racism and prejudice (even within their own race and gender), interracial relationships, family discord, revealing secrets, and social topics of the day (like money, looking for work or being on welfare). At times she had lighter shows, ranging from contests (including female impersonators, beauticians, or those who want to prove to others that they do have talent), celebrity guests, and reunions, to granting viewers' personal wishes. Lake's talk show sometimes covered serious topics, including domestic violence ("Bad Men, Desperate Woman"), homeless people who live in the NYC subway system ("The Catacomb People") and "Teens on Death Row". Lake also took on shows that dealt with women who were members of the
Ku Klux Klan, and during a show involving
marijuana, she learned that three guests were using the substance just moments before they walked on to the set to be interviewed by her. One of Lake's most memorable and controversial confrontations happened during the first season, when she found herself dealing with Reverend
Fred Phelps in a show that involved targeting anyone who carries the AIDS virus and why they deserve to die. (Phelps and his followers from
Westboro Baptist Church in
Topeka, Kansas had been picketing at funerals for AIDS victims across the United States, leading to several states to enact laws prohibiting or restricting groups from coming within a certain distance of the funerals.) When Phelps and his son-in-law tried to take over the set, a furious and insulted Lake ordered the Phelps family to leave the studio. During the commercial break, the two were forced off the set by the producers and escorted out of the building by security. After Phelps died on March 19, 2014, Lake tweeted on her
Twitter page that when he was on the show he told her that she worshipped her rectum on camera, which led to Lake taking action off-stage to force Phelps off the show after that remark. The series also experienced controversy after an episode titled "I'm Angry Because People Think I'm Gay" was taped, in which the audience became "increasingly hostile" and made many "inappropriate remarks." The media monitoring organization
GLAAD attempted to prevent the episode from airing. According to Steinberg, the show featured 12 to 14 guests per episode. The show's audience primarily consisted of college-aged students and young women. The methodology for securing guests on the show, common to many shows similar to it, was as such: Producers would brainstorm and come up with a show title or theme. During an aired episode of the program spots would run for shows in pre-production. The goal was to recruit persons who may have a situation in their life that fits with the proposed topic. Hotline messages would be screened and the most promising prospects would be contacted by a production assistant. The potential guest would be interviewed about their situation. Guests chosen to appear on the show were booked airfare to New York City, brought to the television studio and sent to specific "
green rooms", inside which they were briefed in more detail on how the show would be taped. One of the producers then sat down with each guest to reiterate the story, including emphasis on various phrases or statements the guest might have made during pre-interviews. Guests were given an appearance and confidentiality contract to sign and installments were recorded in real-time, which took approximately 80 minutes to complete. Lake came into the audience for taped segments and, during the paused portion (where commercial breaks were inserted), she left the audience to consult with producers. The final show was aired approximately one month later. However, if the guest (or guests) lied to the producers prior to coming on air, they were forced off the set and their travel arrangements cancelled. This happened twice during the show's run, and both events aired. ==Broadcast history and release==