Music writers opine that
Ride the Lightning exhibits greater musical maturity, with sonically broader songs than ''Kill 'Em All'', which was noted for its one-dimensional sound. This development is partially because of bassist
Cliff Burton's knowledge of music theory. He showed Hetfield how to augment core notes with complementary counter-melodies and how basic guitar harmony works, which reflected on the song compositions. Hetfield developed more socially aware lyrics, as well as ominous and semi-philosophical references. Ulrich explained that Metallica opted not to rely strictly on fast tempos as on the previous album, but to explore other musical approaches that sounded powerful and heavy.
Grinder magazine's Kevin Fisher summarized the album as "ultimate thrash, destruction and total blur" that reminded him of the speed and power of ''Kill 'Em All
. Music journalist Martin Popoff observed that Ride the Lightning'' offered "sophistication and brutality in equal measure" and was seen as something new at the time of its release. Discussing the album's lyrical content, philosopher
William Irwin wrote: "After ''Kill 'Em All'', the rebellion and aggression became much more focused as the enemy became more clearly defined. Metallica was deeply concerned about various domains in which the common man was wrongfully yet ingeniously deceived. More precisely, they were highly critical of those in power". {{Listen The major-key acoustic introduction to "Fight Fire with Fire" displays Metallica's evolution towards a more harmonically complex style of songwriting. The fastest Metallica song in terms of picking speed, it is driven by nimbly
tremolo-picked riffs in the verses and chorus. The extended solo at the end dissolves in a sound effect of a vast nuclear explosion. The main riff was taped during the
Kill 'Em All Tour and the acoustic intro was something Burton was playing on acoustic guitar at the time. The lyrical themes focused on nuclear annihilation, and specifically critiques the doctrine of
Mutual Assured Destruction. "Ride the Lightning" is Metallica's first song to have emphasized the misery of the criminal justice system. The lyrics are in the perspective of a death row inmate anticipating execution by the electric chair. The song, one of the two album tracks that credits Mustaine, begins in a mid-tempo which gradually accelerates as the song progresses. One of the riffs, originally composed by Mustaine, was simplified. It features an instrumental middle section highlighted by Hammett's soloing. According to Hetfield, the song is not a criticism of capital punishment, but a tale of a man sentenced to death for a crime he did not commit, as in the opening lyrics: "Guilty as charged/But damn it/It ain't right". The song would later be
covered by Mustaine's own band,
Megadeth, in 2026. {{Listen "For Whom the Bell Tolls" begins with a bell tolling, followed by a marching riff and high-register bass melody. The chromatic introduction, which Burton wrote before he joined Metallica, is often mistaken for an electric guitar but is actually Burton's bass guitar augmented with
distortion and a
wah-wah pedal. The lyrics were inspired by
Ernest Hemingway's 1940
novel of the same name, which explores the horror and dishonor of modern warfare. "
Fade to Black" is a
power ballad with lyrics about suicide. Hetfield wrote the words because he felt powerless after the band's equipment was stolen before the January 1984 show in Boston. Musically, the song begins with an acoustic guitar introduction overlaid with electric soloing. The song becomes progressively heavier and faster, ending with multi-layered guitar solos. The ballad's
arpeggiated chords and reserved singing was incongruous for thrash metal bands at the time and disappointed some of Metallica's fans. The song's structure foreshadows later Metallica ballads, "Welcome Home (Sanitarium)", "
One", and "
The Day That Never Comes". "Fade to Black" was released as a promotional single in 1984, in
phosphorescent green. "Trapped Under Ice" is about a person who wakes from a cryonic state. Realizing there is nowhere to go, and no-one will come to the rescue, the person helplessly awaits impending doom. The song is built on a fast-picked galloping riff, reminiscent of the album's opener. It was inspired by a track Hammett's former band
Exodus had demoed called "Impaler", which was later released on that band's 2004 album
Tempo of the Damned. "Escape" was originally titled "The Hammer" and was intended to be released as a single due to its lighter riffs and conventional song structure. The intro features a counterpoint bass melody and a chugging guitar riff that resolves into a standard
down-picked riff. "Escape" is Hetfield's most disliked Metallica song, due to it being the result of the record company forcing Metallica to write something more radio friendly. Book authors
Mick Wall and
Malcolm Dome said the song was influenced by the
album-oriented rock of 1970s bands such as
Journey and
Foreigner, but fans perceived it as an attempt for airplay on rock radio. Metallica has so far performed "Escape" live only once, at the 2012
Orion Music + More festival, while performing
Ride the Lightning in its entirety. "Creeping Death" describes the
Plague of the Death of the Firstborn (
Exodus 12:29). The lyrics deal with the ten plagues visited on
Ancient Egypt; four of them are mentioned throughout the song, as well as the
Passover. The title was inspired by a scene from
The Ten Commandments while the band was watching the movie at Burton's house. ==Release==