• "Rimini" is a soft, drumless
ballad in , including a
string orchestra and a
choir. Its lyrics paint an ironical portrait of a waitress working at a bar in mid-1960s
Rimini, who was shamed for having an illicit affair with a
lifeguard, only to have an abortion later on. She is first described in a fantasy setting (a pirate's daughter, who sailed with
Christopher Columbus) and then as she really is (a grocer's daughter working as a waitress). • "Volta la carta" ("Turn the page") uses a musical framework inspired by an
Irish jig with the metrical structure and imagery of a popular Italian rhyme, to tell the story of a young girl named Angiolina, who, after a short engagement to a
carabiniere, goes through a romantic fling with a foreign, possibly military, aircraft pilot. According to a statement by co-writer Bubola within the eighth and last DVD (
Poesia in forma di canzone - "Poetry as songs") of the 8-DVD documentary series
Dentro Faber ["Inside Faber", about De André's life and career], released in 2011, the line "the foreign boy's got an orchestral record which spins fast and talks about love" is intended as a dig at
James Last, whose over-sentimentalized orchestral renditions of
classical pieces and pop songs were becoming popular in Italy towards the end of the Seventies, after having been huge hits all across Europe. Like other singer-songwriters from the era, De André and Bubola strongly disliked Last. • "Coda di lupo" ("Wolf's Tail") is about an imaginary
Native American boy, whose life story is used as a pretext to describe the conflict between extreme left-wing political movements in Italy and the Italian
Communist party, the largest in Europe, which resulted in the failure of the former and the dissolution of the
Red Brigades at the end of the Seventies. The same theme is explored again in the album's penultimate track. • "Andrea" (a male name in Italian) is a folk ballad about a
gay soldier whose lover, a curly dark-haired young man, was killed in
Trento during
World War II. By the end of the song, which is set to a passionately melodic, Mediterranean tune, Andrea is contemplating suicide by throwing himself into a deep well. However, the story is not finished in the song, whose final lines have Andrea wondering whether the well is "deeper than [him]self". When introducing the song in live performances, De André jokingly commented about the poetical aspect of the name given by
Plato to homosexual people, i.e. "children of the Moon". • "Tema di Rimini" ("Rimini Theme") is an orchestral segue from "Andrea", which reprises the musical theme from "Rimini" with a different tempo and time signature. • "Avventura a Durango" is, as stated above, a translation of
Bob Dylan's "Romance in Durango", from his 1976 album
Desire, about a killer trying to escape to
Durango with his wife Magdalena [Margarita in the original lyrics] - only to be killed himself in the end by a
sniper. De André and Bubola sing the chorus in
Neapolitan, substituting Dylan's
South American Spanish lines. • "Sally" is a melodic ballad in with a prominent instrumental interlude played on an
accordion, about a child's fear of the unknown while simultaneously being attracted by it, a theme which De André will explore further in later songs. • "Zirichiltaggia" is De André's first-ever song not in Italian. A very fast
country/
bluegrass number written entirely in
Gallurese, it consists in a comical quarrel between two Sardinian shepherds (both performed by De André, using
vari-speed and other effects to sound like two different people) over an inheritance dispute, which, according to Bubola's later recollections, De André actually witnessed at the time. Its title translates literally into "Lizards' den" but it is not in the lyrics, which however do feature the word
zirichelti, i.e. lizards. • "Parlando del naufragio della London Valour" ("
Talking [about] the sinking of the London Valour") is about a shipwreck in April 1970 when a gale drove a British cargo ship, , onto the
harbour mole at
Genoa with the loss of 20 lives. However, De André refrains from recounting the actual shipwreck and instead uses it as a metaphor for the "normalization" process within Italy in 1977-'78, caused by the failure of armed protest groups, especially the
Red Brigades, after the kidnapping and murder of
Aldo Moro. The lyrics also include cynical portraits of various characters, who may or may not be identified with actual people. The same drastic changes in Italian ideologies would also be the main subject of a later song, "La domenica delle salme" [i.e. "Corpses Sunday", with a pun on
Palm Sunday], within the 1990 album
Le Nuvole. • "Folaghe" ("Coots"), the album closer, is a quiet instrumental led by a
twang guitar, intended to represent the placid motion of
coots on a lake. ==Personnel==