Clock tower and drinking fountain, Tynemouth, 1861 Beall executed the carvings on the
Venetian Gothic clock tower and drinking fountain, Newspapers credited the design to architects Oliver & Lamb of Newcastle upon Tyne, and was calling for builders to tender for the work in January 1861. However, some newspapers said that the premium for the original design competition for the drinking fountain was awarded to the young architect Septimus Hird of
Darlington, who drowned in the sea in July 1861, aged 17, before the building was completed. The clock tower was funded by Tynemouth-born William Scott at a cost of up to £500 (), and inaugurated on 2 September 1861. The
Newcastle Guardian and Tyne Mercury said, "Around the erection, and giving it an artistic effect, is a variety of carving, consisting chiefly of natural foliage, the work of Mr Beale
(sic) of Newcastle". The clock tower was described by the
Newcastle Journal as follows: The inauguration of the clock tower began with a procession from the Bath Hotel. It featured Tynemouth's mayor and
corporation, a company of the
First Northumberland Artillery Corps, the
North Shields Rifle Corps (NCRC) band, and Reverend T. Featherstone, who was the primary instigator of the building of the clock. Having mentioned in his speech that the fountain water of the clock tower was better than that drawn at home by the town's population, the mayor declared the clock tower open. Along with his corporation, the mayor celebrated the occasion by drinking some of the water from a silver cup, while a
21-gun salute was fired from the
Castle Yard by the Northumberland Artillery Corps, after which the NSRC band played the
National Anthem. Clock tower and drinking fountain, Tynemouth, 1861.jpg|
Clock tower, Tynemouth, in 1861 Scott Clock and Fountain - geograph.org.uk - 2818422.jpg|
Clock tower, Tynemouth, in 2012 Scott Clock Fountain Tynemouth 05.jpg|
Clock tower, Tynemouth, in 2019
St Mary's Church, Nun Monkton, 1869–1873 This is a Grade I
listed building, founded in the 12th or 13th century. Costing £4,400 (), and re-opened and consecrated by the
Bishop of Ripon, on 16 October 1873, after three hundred years of neglect. The reredos is of five compartments. That in the centre is of large size, and has a
cinquefoiled head. The two compartments on each side are of smaller size, with trefoil heads [they were not yet filled with statuary]. The compartments are divided from each other by
serpentine marble shafts.The canopy is of
Caen stone, and elaborately carved. The heads at the intersection of the
pediment are surmounted with
finials of the
Early English Period, carved in a very rich manner. The central pediment rises above the
clerestory string course [its niche and side panels were not yet filled with the intended
crucifixion and saint figures] ... The pulpit is remarkably beautiful, and is of various coloured
marbles and Caen stone. Beall, for Walker, Emley and Beall, constructed the Shakespeare Fountain in
Leicester Square,
Westminster, London, in 1874. It is a water fountain with trough and pump, made of
Sicilian marble, and funded by the financier
Albert Grant. Shakespeare statue (cropped).jpg|
Shakespeare fountain, Leicester Square, 1874 Statue of William Shakespeare at the centre of Leicester Square Gardens, London (4039170693).jpg|
Shakespeare fountain, detail LeicesterSquareGardens.jpg|
Shakespeare fountain, the trough
Pulpit and reredos in St Nicholas' Cathedral, Newcastle, 1882 This is a Grade I listed building. In 1882, St Nicholas Parish Church became Newcastle Cathedral. Around that time, Beall carved the
Uttoxeter marble
pulpit with its
alabaster figures, designed by architect Robert James Johnson for the cathedral. At some point between 1873 and 1887, Beall carved the decorative framework and smaller figures of the
reredos in Uttoxeter marble and alabaster, in the same building. Newcastle Anglican Cathedral on 21 April 2023 (90a).JPG|
Pulpit by Beall, Newcastle Cathedral, 1882 Newcastle Anglican Cathedral on 21 April 2023 (71).JPG|
Alabaster figure by Beall on pulpit, Newcastle Cathedral, 1882 Newcastle Anglican Cathedral on 21 April 2023 (50a).JPG|
Reredos by Beall, with Westmacott's 16 figures, Newcastle Cathedral, 1873–1887 Newcastle Anglican Cathedral on 21 April 2023 (34).JPG|
Angel by Beall, on reredos framework, Newcastle Catedral, 1873–1887
Stone cross, St Mary's Abbey churchyard, Blanchland, 1882 Beall erected a "beautifully polished grey
granite" memorial cross for a young man in the churchyard of
Blanchland Abbey Church, in 1882. Farmers Robert Snowball and his father, and their servant Jane Barron aged 27, lived in a lonely farmhouse on the moor at Belmount. After Robert Snowball told Barron at dinner that he "knew about her lad", he was found dead the next morning in the farm loft on 1 January 1880, his skull battered from behind with a stone-breaking hammer. At the inquest, Barron was found not guilty. No stranger had been observed near the farmhouse around the time of the murder. However, by May 1880, Barron had been incarcerated in an asylum on the grounds of increasing violence and "ravings".
St George's Church, Jesmond, 1888 This is a Grade I
listed building. The whole was funded by
Charles Mitchell of Jesmond Towers. Beall carved the "very tall" baptistry screen "filled with Caen stone carved in crocketed tracery and niches" at the west end of the church, around the same year. Beall also carved the
Pavonazzo marble font, reredos and altar, under his company name of Emley & Co. of Newcastle. The combined reredos and altar unit includes mosaics by C. Mitchel (son of the church's benefactor), of Archangel
Gabriel,
Jesus and Archangel
St Michael, and was exhibited at the Newcastle
Jubilee Exhibition of 1887. Of the reredos and font, the
Newcastle Chronicle said: ==Legacy==