In 1772, Jones wrote and self-published
The Art of Skating, the earliest book about
figure skating. The book went through several reprintings and revisions, "with minor changes made by unnamed persons", and remained available until the mid-1800s. Figure skating historian James R. Hines called it "a milestone in the history of figure skating". Jones described the basic techniques of skating, which was a recreational activity at the time, before the development of figure skating as a sport in the late 1800s. He also described five advanced
figures that were skated at the time: these were "circular patterns which skaters trace on the ice" that gave the sport of figure skating its name, with sketches and large colour plates of three of them. in England and Holland because critics thought that skaters executed them too often), running, and stopping. Once these fundamentals were learned and mastered, skaters could develop more advanced skills and the "more masterly parts of the art" of skating, including execution of figures. The latter part of the book describes the following more advanced skating moves: backward skating, spread eagles, spirals, inside and outside circles, the "Serpentine Line" (repeated change of edges on one foot), the "Salutation" (two skaters joining their hands when passing each other), and what Jones called a "figure of a heart on one leg", which later became a principal component of the
three-turn. Jones' emphasis on arm positions, finishing each move, and the book's illustrations demonstrated that "the image skaters conveyed to onlookers was at least as important as accomplishing the moves". Although Jones described backward skating, which he called "whimsical", he saw no need for it, although he admitted that skaters were experimenting with it and one of the figures he described, a heart-shaped design, required it. During Jones' time, skating was viewed as a recreational activity suitable only for men, but he saw no reason for the exclusion of women, writing that doing so was "the effect of prejudice and confined ideas", although he humorously said that skating allowed a woman to "indulge in a
tête-à-tête with an acquaintance without provoking the jealousy of her husband with any prejudice to her repetition". Unlike later writers, Jones did not discuss the skating that women were doing separately, perhaps, as Hines suggests, because he viewed the skating of figures as a sport and therefore unsuitable for women. As a social activity, however, he viewed skating as part of the "long and established tradition of fun and courtship on the ice”, even though women during the 18th century were attempting the same figures as men. As Kestbaum states, "The participation of women in skating was thus conceived in terms of potential social advantages for innocent interaction between the sexes". Jones also provided guidance on skate design in
The Art of Skating. At the time, blades were attached to skaters' shoes with strings, straps, and clips. Jones' design was one of the first to firmly attach blades to the heels of shoes with screws. This attachment method made the blades a part of the shoes and prevented skaters from having to retie the blades and from the blades from falling off the shoes. == Sodomy trial ==