He was the producer of
Black Sabbath's first three albums,
Budgie's first two albums,
Judas Priest's first album,
Rocka Rolla and Wild Turkey's debut album
Battle Hymn. Bain dominated the production of Priest's first album and made decisions the band did not agree with, such as leaving fan favourites like "Tyrant", "Genocide" and "The Ripper" off the album. He also cut the song "Caviar and Meths" from a 10-minute song down to a two-minute instrumental. He also produced the Judas Priest album
Hero, Hero (an album not authorised by the band who, in their split with Gull Records, had had to concede the original recordings of their first albums to them, although they retained the rights to the songs), which contained remixed versions of the tracks on
Rocka Rolla. Both of these Judas Priest albums received a great deal of criticism. On Black Sabbath's
self-titled debut album, Bain played the
Jew's harp on the track "Sleeping Village". In the
Last Supper DVD, Black Sabbath bassist
Geezer Butler describes Bain positively and claims that he let them record their first album live which was, and still is, an uncommon method of recording, when other producers had refused. This is also how he is said to have produced other albums he worked on. Bain subsequently went on to work with
Barclay James Harvest, producing their first two albums for
Polydor :
Everyone Is Everybody Else (1974) and
Barclay James Harvest Live. Although he reportedly did not get on with the band, the albums are highly regarded.
AllMusic noted that Bain seemingly left the music industry in the mid-1970s. However in 1981, Bain briefly returned and formed his own record label called Blue Chip/Cygnet Records and signed bands such as
The Kicks, releasing their single "If Looks Could Kill" in 1982. ==References==