Roger Freeing Angelica (Ingres)

Orlando Furioso, a 16th-century epic poem by Ariosto, is the source of the tale of Roger, a knight whose steed is a hippogriff (a legendary creature half horse and half eagle). While riding near Brittany's coast Roger espies a beautiful woman, Angelica, chained to a rock on the Isle of Tears. She has been abducted and stripped naked by barbarians who have left her there as a human sacrifice to a sea monster. As Roger rides to her aid, a great thrashing in the water occurs—it is the monster approaching Angelica. Roger drives his lance between the monster's eyes and rescues Angelica. The story is a variant of the Greek myth of Perseus and Andromeda. ==Background==

Ingres received the commission for the work in 1817 and completed it in 1819. When it was exhibited at the Paris Salon of 1819 alongside his Grande Odalisque, the work was criticised for the treatment of Angelica's figure, described by the art historian Théophile Silvestre as "Angelica with goitres" and by the painter Henry de Waroquier as "triple-breasted Angelica". Comte de Blacas, the French ambassador to the Vatican, acquired the painting for King Louis XVIII. A reduced copy of the painting in a vertical format was painted sometime before 1839, and eventually acquired by Edgar Degas, who purchased it in 1894. It was later acquired by the National Gallery, London. An 1841 replica, in an oval format, is in the Musée Ingres. A painting of 1859, also in an oval format, repeats the figure of Angelica but nearly eliminates Roger, whose presence is indicated only by his shield visible at the right edge. In 1819 Ingres painted Perseus and Andromeda (Detroit Institute of Arts), which like Roger Freeing Angelica features a nude woman chained to a rock and a hero slaying a sea monster. ==See also==