•
Erick Sermon •
Liam Howlett of
The Prodigy used the W-30 as his main songwriting device until 1997's
The Fat of the Land and on-stage as a master keyboard up until 2008 •
Steve Hillier of
Dubstar programmed the entirety of the band's first album
Disgraceful on a W-30. It was retired for the band's first European tour in 1996 • Andrés Bobe of
La Ley programmed the keyboards and sequences from 1990 to 1994, mostly for the album
Doble Opuesto •
DJ Paul of
Three 6 Mafia created the gritty, 90s proto-trap sound by re-sampling the groups' hooks to be used across many of their releases. DJ Paul still uses the W-30 to this day. •
Hiroyuki Iwatsuki used the W-30 to write the music for the
SNES game
Wild Guns. •
Luis Alberto Spinetta's 1991 album
Pelusón of Milk was produced mostly on his W-30 at home, while "waiting for Vera", his daughter, to be born •
Project Pitchfork used it on the albums
Dhyani, ''Lam-'Bras
, Entities
, Io
, Alpha Omega''. • Jason Novak used the W-30 in the early years of
Acumen Nation and
DJ? Acucrack, and later Cocksure, with
Chris Connelly. •
Matt Elliott as The Third Eye Foundation used the W-30 as a sampler and sequencer for his album
Ghost. == References ==