State of Alert Initially into
hard rock acts like
Van Halen and
Ted Nugent, Rollins soon developed an interest in
punk with his friend
Ian MacKaye. From 1979 to 1980, Rollins was working as a roadie for D.C. bands, including
Teen Idles. When the band's singer, Nathan Strejcek, failed to appear for practice sessions, Rollins convinced the Teen Idles to let him sing. Word of Rollins's ability spread around the punk rock scene in Washington D.C.;
Bad Brains singer
H.R. would sometimes have Rollins on stage to sing with him. In 1980, the Washington punk band the Extorts lost their frontman
Lyle Preslar to
Minor Threat. Rollins joined the other members of the band and formed
State of Alert (S.O.A.) and became its frontman and vocalist. He put words to the band's five songs and wrote several more. S.O.A. recorded their sole EP,
No Policy, and released it in 1981 on MacKaye's
Dischord Records. Around April 1981, drummer Simon Jacobsen was replaced by Ivor Hanson. At the time, Hanson's father was a top admiral in the
U.S. Navy and his family shared living quarters with the
U.S. vice president at the
Naval Observatory. The band held their practices there and would have to be let in by
Secret Service agents. S.O.A. disbanded after a total of a dozen concerts and one EP. Rollins had enjoyed being the band's frontman, and had earned a reputation for fighting in shows. He later said, "I was like nineteen and a young man all full of steam and
loved to get in the dust-ups." By this time, Rollins had become the assistant manager of the Georgetown
Häagen-Dazs ice cream store; his steady employment had helped to finance the S.O.A. EP.
Black Flag In 1980, a friend gave Rollins and MacKaye a copy of Black Flag's
Nervous Breakdown EP. Rollins soon became a fan of the band, exchanging letters with bassist
Chuck Dukowski and later inviting the band to stay in his parents' home when Black Flag toured the East Coast in December 1980. When Black Flag returned to the East Coast in 1981, Rollins attended as many of their concerts as he could. At an impromptu show in a New York bar, Black Flag's vocalist
Dez Cadena allowed Rollins to sing "Clocked In", a song Rollins had asked the band to play in light of the fact that he had to drive back to Washington, D.C., to begin work. After joining Black Flag in 1981, Rollins quit his job at Häagen-Dazs, sold his car, and moved to Los Angeles. Upon arriving in Los Angeles, Rollins got the Black Flag logo
tattooed on his left biceps Rollins was in a different environment in Los Angeles; the police soon realized he was a member of Black Flag, and he was hassled as a result. Rollins later said: "That really scared me. It freaked me out that an adult would do that. ... My little eyes were opened big time." Before concerts, as the others of the band tuned up, Rollins would stride about the stage dressed only in a pair of black shorts, grinding his teeth; to focus before the show, he would squeeze a pool ball. His stage persona impressed several critics; after a 1982 show in
Anacortes, Washington,
Sub Pop critic
Calvin Johnson wrote: "Henry was incredible. Pacing back and forth, lunging, lurching, growling; it was all real, the most intense emotional experiences I have ever seen." By 1983, Rollins's stage persona was increasingly alienating him from the rest of Black Flag. During a show in England, Rollins assaulted a member of the audience who attacked Ginn; Ginn later scolded Rollins, calling him a "macho asshole". A legal dispute with
Unicorn Records held up further Black Flag releases until 1984, and Ginn was slowing the band's tempo down so that they would remain innovative. In August 1983, guitarist
Dez Cadena had left the band; a stalemate lingered between Dukowski and Ginn, who wanted Dukowski to leave, before Ginn fired Dukowski outright. 1984's
heavy metal music-influenced
My War featured Rollins screaming and wailing throughout many of the songs; the band's members also grew their hair to confuse the band's hardcore punk audience. Black Flag's change in musical style and appearance alienated many of their original fans, who focused their displeasure on Rollins by punching him in the mouth, stabbing him with pens, or scratching him with their nails, among other things. He often fought back, frequently dragging audience members on stage and assaulting them. During a Black Flag concert, Rollins repeatedly punched a fan in the face who had continuously reached for his microphone. Rollins became increasingly alienated from the audience; in his tour diary, Rollins wrote "When they spit at me, when they grab at me, they aren't hurting me. When I push out and mangle the flesh of another, it's falling so short of what I really want to do to them." During the Unicorn legal dispute, Rollins had started a weight-lifting program, and by their 1984 tours, he had become visibly well-built; journalist
Michael Azerrad later commented that "his powerful physique was a metaphor for the impregnable emotional shield he was developing around himself."
Rollins Band, solo releases, and spoken word in 1993 Before Black Flag disbanded in August 1986, Rollins had already toured as a solo spoken-word artist. He released two solo records in 1987,
Hot Animal Machine, a collaboration with guitarist
Chris Haskett, and
Drive by Shooting, recorded as "Henrietta Collins and the Wifebeating Childhaters"; Rollins also released his second spoken word album,
Big Ugly Mouth, in the same year. Along with Haskett, Rollins soon added
Andrew Weiss and
Sim Cain, both former members of Ginn's side-project
Gone, and called the new group Rollins Band. The band toured relentlessly, and their 1987 debut album,
Life Time, was quickly followed by the outtakes and live collection
Do It. The band continued to tour throughout 1988; in 1989 another Rollins Band album,
Hard Volume, was released. Another live album,
Turned On, and another spoken word release, ''Live at McCabe's'', followed in 1990. In 1991, the Rollins Band signed a distribution deal with Imago Records and appeared at the
Lollapalooza festival; both improved the band's presence. However, in December 1991, Rollins and his best friend
Joe Cole were accosted by two armed robbers outside Rollins's home. Cole was murdered by a gunshot to the head; Rollins escaped without injury but police suspected him in the murder and detained him for ten hours. Although traumatized by Cole's death, as chronicled in his book
Now Watch Him Die, Rollins continued to release new material; the spoken-word album
Human Butt appeared in 1992 on his own record label,
2.13.61. The Rollins Band released
The End of Silence, Rollins's first charting album. The Rollins Band embarked upon the
End of Silence tour; bassist Weiss was fired toward its end, and replaced by funk and jazz bassist
Melvin Gibbs. According to critic Steve Huey, 1994 was Rollins's "breakout year". In 1995, the Rollins Band's record label, Imago Records, declared itself bankrupt. Rollins began focusing on his spoken word career. He released
Everything, a recording of a chapter of his book
Eye Scream with free jazz backing, in 1996. He continued to appear in various films, including
Heat,
Johnny Mnemonic and
Lost Highway. The Rollins Band signed to
DreamWorks Records in 1997 and soon released
Come In and Burn, but it did not receive as much critical acclaim as their previous material. Rollins continued to release spoken-word book readings, releasing
Black Coffee Blues in the same year. In 1998, Rollins released
Think Tank, his first set of non-book-related spoken material in five years. a feeling which he reiterated in 2011 when talking to
Trebuchet magazine. In an interview with
Culture Brats, Rollins admitted he had sworn off music for good – "... and I must say that I miss it every day. I just don't know honestly what I could do with it that's different." On the same topic, Rollins more recently said in 2016 "For me, music was a time and a place. I never really enjoyed being in a band. It was in me and it needed to come out, like a 25-year exorcism. One day, I woke up, and I didn't have any more lyrics. I just had nothing to contribute to the form, and I was done with band practice and traveling in groups." Rollins is a guest star on
Damian Cowell's 2017 album
Get Yer Dag On! Musical style As a vocalist, Rollins has adopted a number of styles through the years. He was noted in the
Washington, D.C. hardcore scene for what journalist
Michael Azerrad described as a "compelling, raspy howl". Rollins later explained: "What I was doing kind of matched the vibe of the music. The music was intense and, well, I was as intense as you needed." In both incarnations of the Rollins Band, Rollins combined spoken word with his traditional vocal style in songs such as "
Liar" (the song begins with a one-minute spoken diatribe by Rollins), barked his way through songs (such as "Tearing" and "Starve"), and employed the loud-quiet dynamic.
Rolling Stones Anthony DeCurtis names Rollins a "screeching hate machine" and his "hallmark" as "the sheets-of-sound assault". With the Rollins Band, his lyrics focused "almost exclusively on issues relating to personal integrity", according to critic Geoffrey Welchman.
As producer In the 1980s, Rollins produced an album of acoustic songs for convict
Charles Manson titled
Completion. The record was supposed to be released by
SST Records, but the project was canceled because the label received death threats for working with Manson. Only five test presses of
Completion were pressed, two of which remain in Rollins's possession. In 1995, Rollins produced Australian hard rock band the
Mark of Cain's third full-length album
Ill at Ease. ==Media work==