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Romaine Callender

Alfred Romaine Callender was an English born American actor of stage and screen. He should not be confused with several other men in his family also known publicly as Romaine Callendar, including his father, the stage actor Edwin Romaine Callendar (1845–1922), and his uncle, the music educator, conductor, composer, organ builder, and book author William Romaine Callender (1859–1930).

Early life and stage career
Alfred Romaine Callender was born on 17 February 1883 in Sheffield, England. He was the son of actor Edward Romaine Callender and Florence Callender (née Chapman). His father was known as Romaine Callender and E. Romaine Callendar on the stage. His uncle, the composer, conductor, and music educator William Romaine Callendar, was the director of the Metropolitan College of Music in Philadelphia and was also known publicly as Romaine Callendar. When his uncle died in 1930, it was initially incorrectly reported in the press that the actor Alfred Romaine Callender was the one who died because both men were known publicly as Romaine Callender. Other roles he portrayed with that company in the 1906–1907 season included Gratiano in Othello, Sir Robert Brackenbury in Richard III, Salanio in The Merchant of Venice, and Tillius Cimber in Julius Caesar. When Callender made his Broadway debut at the Empire Theatre in 1910 as Rideout in Arthur Wing Pinero's Mid-Channel he was now billed as A. Romaine Callender. Following this production he joined William Gillette's theatre troupe; portraying the role of Gordon Hayne in a national tour of Gillette's five act war drama Held by the Enemy. He returned to Broadway as Don Mackenzie in Thompson Buchanan's The Rack (1911, Playhouse Theatre). Bonnaire in Pierre Wolff's Les Marionnettes (1911–1912, Lyceum Theatre), Ibrahim in J. B. Fagan's Bella Donna (1912, Empire Theatre; 1913, Wallack's Theatre) and Achille in Edward Sheldon's The Song of Songs (1914–1915, Eltinge 42nd Street Theatre). In 1918 Callendar enlisted in the United States Navy and was in service during the latter part of World War I. After the war he returned to Broadway in Arnold Bennett's Sacred and Profane Love (1920, Morosco Theatre), as El Nacional in Tom Cushing's Blood and Sand (1921, Empire Theatre), and as J. Sloane Henshaw in George S. Kaufman and Marc Connelly's Merton of the Movies (1922–1923, Cort Theatre). Callender continued to appear on the stage as A. Romaine Callender until after the death of his father in 1922. Not long after this he took his father's stage name of Romaine Callender; first appearing on Broadway under that name as Snake in the 1925 revival of The School for Scandal at the Knickerbocker Theatre. In 1927 he portrayed Asst. State's Attorney Welch in the original production of Bartlett Cormack's The Racket at the Ambassador Theatre. His other later Broadway credits include the roles of Malacoda in Mima (1928), Dr. Otternschlag in Grand Hotel (1930), Fernand Demoncey in The Man Who Reclaimed His Head (1932), Dr. Frederick Swan in Keeper of the Keys (1933), Cesar Poustiano in Another Love (1934), General Michael Rakovski in Judgment Day (1934), and Wesley Cartwright Post Road (1934–1935). ==Film career==
Film career
In 1935, Callender left New York City for Hollywood and became a contract player with Columbia Pictures. Callender portrayed butlers, often with humorous impact, in several more Columbia pictures; including the films ''The Music Goes 'Round (1936), Pepper (1936), Life Begins with Love (1937), The Amazing Dr. Clitterhouse (1938), Wuthering Heights (1939), and It's a Date'' (1940). As a character actor, Callender starred in almost 50 feature films from 1935 to 1945; most of them for Columbia. ==Death==
Death
Romaine Callender died in New York City on February 5, 1976. ==Partial filmography==
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