From the
medieval to the
baroque periods, it was common to have ornately carved soundhole designs, called
roses. These were either carved directly into the wood of the soundboard or inserted from behind and made of carved wood or parchment. The designs used for
lutes and other early instruments were often inspired by the geometric patterns in
Islamic art, probably from those used on the oud. During the medieval period, most such designs were 4-sided, whereas during the renaissance and baroque periods, 6-sided designs were used. Image:Stradivarius Guitar - 1700, rosette 1, National Music Museum, Vermillion.jpg|
Baroque guitar soundhole with inserted wooden rose and inlaid rosette (1700). Image:Mandora MET DP168840.jpg|A carved rose on a
mandora from 1726. Image:Guitar MET DP232761.jpg|Baroque guitar soundhole with multi-layered parchment rose from behind, surrounded by inlaid rosette (1630). Image:Mandoline MET MIDP89.4.1066 rose.jpg|Baroque mandolin with inserted rose made from ivory. ==Modern usage==