Opera House in 1905 Buckman graduated from the school of music in mid-1903 and could immediately support herself from roles in concerts. Her income ceased soon after when she fell ill and she accepted her parents' offer to pay for a fare to New Zealand. She arrived in New Zealand in early March 1904. By 28 March 1904, she gave her first concert in
Auckland alongside the American
baritone Hamilton Hodges; also involved was Clarice Buckman, her younger sister (then aged 12). Subsequent concerts were in
New Plymouth (30 March), Palmerston North (31 March), and Wellington (1 April). Buckman performed in her first opera on 20 September 1905 in Palmerston North when she took the role of La Zara in
Alfred Hill's
A Moorish Maid, after the opera had previously performed a season in Auckland. Hill also wrote the popular
Māori song "Waiata poi" and he is said to have written it for Buckman. In England, she soon obtained work and, among other roles, sang in a concert conducted by
Thomas Beecham. After auditioning at the
Royal Opera House in
Covent Garden, she gained supporting roles in a series of
Richard Wagner operas from early 1914. From spring 1914, she took the role of Musetta in
La bohème, alongside Melba who sang as Mimi. Roles in three other operas followed before the Royal Opera House closed when
World War I broke out. Beecham was also affected by the closure of the Royal Opera House as it was his primary venue for mounting operas. In 1915, he founded his own opera company—
Beecham Opera Company—and picked those who in his opinion were the best British singers, but gave Buckman the role of a principal dramatic soprano. Working for the Beecham Opera Company, Buckman's career blossomed and she became a
prima donna. She was versatile and performed the repertoire that was standard at the time. The lead roles in which she was regarded as most successful were as Madame Butterfly and as Isolde of
Tristan und Isolde. On one occasion, she kept performing Isolde when an air raid was sounded. The theatre's manager eventually forced the performers off the stage; it added to Buckman's profile that she had kept going. During the war, she started recording and she produced an extensive catalogue covering arias, duets, ballads and concert songs. A 1924 recording of
Madama Butterfly was the first full recording of an opera in English. The Royal Opera House reopened in May 1919 and Buckman alternated with Melba performing as Mimì, the leading role in
Giacomo Puccini's
La bohème. It was not until the following February that this became known. They performed together and separately. The Beecham Opera Company was succeeded in December 1921 by the
British National Opera Company and Buckman and d'Oisly sang regularly for them. After a tour in New Zealand, they performed in Australia and then undertook another tour of New Zealand. They left Auckland on the
RMS Niagara on 6 March 1923 for the United States. Buckman reduced the number of her performances from here on. From the 1930s, she taught at the
Royal Academy of Music In April 1940, Buckman made a brief return to the stage when she appeared in a matinée gala at
His Majesty's Theatre in London, in aid of comforts for New Zealand troops in World War II. All the artists and authors involved in the performance, organised by actor
Shayle Gardner, were born in New Zealand, and included
David Low,
Warwick Braithwaite,
Hector Bolitho,
Hugh Walpole, and
Merton Hodge. ==Private life==