Early acting career In 1926, to help make ends meet, Ruan signed up for the prominent
Mingxing Film Company. She made her first film at the age of 16. The film,
A Married Couple in Name Only (掛名的夫妻/挂名的夫妻), was directed by
Bu Wancang. Two years later, she was signed by Da Zhonghua Baihe Company (大中華百合公司/大中华百合公司), where she shot six films. Her first big break came in
Spring Dream of an Old Capital ( or
Reminiscences of Beijing, 1930), which was a massive hit in China. It was Ruan's first major work after signing with the newly formed
Lianhua Studio in 1930. In it, she played a prostitute by the name of Yanyan.
Breakthrough and important films Thereafter, Ruan became Lianhua's major film star. Her most memorable works came after 1931, starting with the melodrama
Love and Duty (directed by
Bu Wancang). Ruan had by then gained popularity owing to a string of leading roles, and in 1933 she was voted second runner-up in a poll held by
Star Daily (明星日報) for China's "movie queen". (
Hu Die emerged the winner and
Chen Yumei was first runner-up). Beginning with
Three Modern Women (1932), Ruan started collaborating with a group of leftist Chinese directors. In
Little Toys (1933), a film by
Sun Yu, Ruan played a long-suffering toy-maker. Her next film,
The Goddess (1934; dir:
Wu Yonggang), is often hailed as the pinnacle of Chinese silent cinema; Ruan sympathetically portrayed a
prostitute bringing up a child. Later that year, Ruan made her penultimate film,
New Women (directed by
Cai Chusheng), in which she played an educated woman forced to death by an unfeeling society. The film was based on the life of actress
Ai Xia, who killed herself in 1934. Her final film,
National Customs, was released shortly after her death. One of Ruan's earliest films,
Love and Duty (1931), directed by
Bu Wancang and long believed to be a lost film, was discovered in
Uruguay in 1994. ==Personal life==