Akira Kurosawa Akira Kurosawa read an article in a 1963
Life magazine by Warren Young about a runaway train. He thought it would make a good film and contacted
Joseph E. Levine about doing an international co-production. In June 1966, Kurosawa announced he would make
Runaway Train for Joseph E. Levine's
Embassy Pictures. The budget was to be $5.6 million. The script was written by Kurosawa,
Hideo Oguni and
Ryuzo Kikushima, about two escaped convicts who hide on board a stationary train, only for it to roll away, gradually picking up tremendous speed.
Sidney Carroll was hired to adapt Kurosawa's script into English. The film would be shot along tracks between Syracuse and Rochester in New York over 16 weeks in October 1966. Tetsuo Aoyagi would produce and the film would be shot in 70 mm. Plans to shoot were cancelled at the last minute, only to be scheduled and cancelled yet again. In April 1967 the project had been "indefinitely postponed" and Kurosawa signed to make
Tora! Tora! Tora!.
Development In 1982, the Nippon Herald company, which owned Kurosawa's script, asked
Francis Ford Coppola to recommend a director. Coppola and his producer, Tom Luddy, suggested
Andrei Konchalovsky. The director succeeded in raising finance from Cannon Films. "The design is still Kurosawa's", said Konchalovsky. "The concentration of energy and passion, the existential point of view, and the image of the train as something – perhaps civilization – out of control.... Manny, the character played by Voight, feels, 'Win or lose, what's the difference?' That's not very familiar to the Western mind. We tend to love winners, and we don't like losers." Konchalovsky knew Jon Voight, who had helped get the director his visa to work in the US in 1979 (Voight wanted Konchalovsky to direct
Rhinestone Heights which was ultimately never made.)
Karen Allen was announced as the female lead. The part ended up being played by Rebecca De Mornay, who said "It's my first real action-oriented picture. There are scenes where I'm walking across the top of a train – things like that. I really wanted to do something that called for a lot of physical acting, where I'm acting not as much with words as with my body."
Danny Trejo was cast after he arrived on set in his role as a drug abuse counselor for a young person working with the crew who was troubled by the rampant
cocaine abuse on set. Screenwriter-consultant
Edward Bunker remembered Trejo from when they'd both been imprisoned at
San Quentin State Prison, and helped Trejo get hired in a small on-screen role in addition to working as a boxing trainer for Roberts. The runaway train's lineup in the movie consisted of four Alaska Railroad locomotives, all built by
EMD:
GP40-2 #3010,
F7 #1500, and #1801 and #1810, both
GP7s. The latter two locomotives had previously been rebuilt by ARR with low short hoods as opposed to a GP7's original high short hood but were fitted with mock-up high hoods made of plywood for the film, branded with fictional numbers 531 and 812, respectively. Because #1801's cab had been reconstructed prior to filming, the '531' prosthetic hood stood slightly higher than the normal hood height of a GP7 to fit over the locomotive's number board. The locomotives used in the film have gone their separate ways: • ARR GP40-2 #3010 is still active on the Alaska Railroad, painted in the new corporate scheme. • ARR F7 #1500 was retired from service in 1992, and is now at the Museum of Alaska Transportation and Industry Museum in Wasilla, Alaska, as can be seen on the front page of their website MuseumOfAlaska.org. • ARR GP7 #1810 was sold to the Oregon Pacific Railroad and operated as OP #1810. In 2008, the unit was sold to the Cimarron Valley Railroad and is now permanently coupled to former OP Slug #1010. • ARR GP7 #1801 was sold to a locomotive leasing company in Kansas City, Missouri, then sold to the Missouri Central Railroad and operated as MOC #1800. The locomotive subsequently appeared in another motion picture,
Under Siege 2: Dark Territory, in 1995. MOC became the Central Midland Railroad in 2002. As Central Midland had its own leased power, MOC 1800 was returned to Midwest Locomotive In Kansas City. Shortly after, it was then sold to the Respondek Rail Corp of Granite City, Illinois, and is now used on Respondek's
Port Harbor Railroad subsidiary. The unit's identification is RRC #1800. As of 2015, the locomotive has been stored, is out of service, needing wheelwork. A return to service on the Port Harbor Railroad is unlikely, as there is talk about sending the unit to another Respondek Operation. • The train that was hit by the runaway was led by
MRS-1 #1605. This unit had been retired in 1984, one year before filming started. The unit has since been cut up for scrap. • Sequences set at the rail yard, shot on the
Butte, Anaconda and Pacific Railway in Anaconda, Montana, used local locomotives from the BA&P fleet along with former Northern Pacific
EMD F9 #7012A, leased from the
Mount Rainier Scenic Railroad. The two GP7s and the F9 were fitted with plywood boxes to duplicate the distinctive 'winterization hatches' carried on their Alaskan counterparts. • BA&P
EMD GP38-2 #109, the BA&P locomotive used in the yard scenes as the lead engine in place of ARR #3010, was subsequently sold to the Alaska Railroad and remains in service there as #2002, along with sister unit #2001 (ex-BA&P #108).
Accident Richard (Rick) Holley was killed prior to the start of principal photography when the helicopter he was piloting hit power lines while scouting for shoot locations in Alaska. The film is dedicated to him during the closing credits. ==Music==