in
Washington, DC, in 2022 Inspired by an art exhibit of works from India, Duckworth studied
ceramic art at the
Central School of Arts and Crafts starting in 1956. While her early ceramic work was in traditional forms, she soon started to produce more abstract works. Her work started to fall into a middle ground that wasn't the typical ceramics thrown on a wheel and fired in a kiln or the standard forms of sculpture that used metal, stone or wood. As described by ceramist
Tony Franks, Duckworth's style of "Organic clay had arrived like a harvest festival, and would remain firmly in place well into the '70s". While ceramists such as
Bernard Leach rejected her work, other artists in the UK started adopting her style of hand worked clay objects. In 1964 Duckworth accepted a teaching post at the University of Chicago's Midway Studios. She remained there through the next decade, eventually deciding to settle permanently in the United States, her third homeland. Her mural series
Earth, Water and Sky (1967–68) was commissioned by the university for its Geophysical Sciences Building and included topographical designs based on satellite photographs with porcelain clouds overhead. Her 240-square-foot mural
Clouds Over Lake Michigan (1976) is a figurative depiction of the
Lake Michigan watershed. It was formerly on display at the Chicago Board Options Exchange Building., Her work is also represented internationally, including at the
Victoria & Albert Museum in London. There is a documentary about the late sculptor titled
Ruth Duckworth: A Life in Clay. Ruth Duckworth's artistic synthesis-combining aesthetic influences from many times and places with her unique contemporary vision-is most masterfully executed in her figural studies grounded in Cycladic formalism. Her work,
Untitled (Mama Pot), was acquired by the
Smithsonian American Art Museum as part of the
Renwick Gallery's 50th Anniversary Campaign. ==Death==