In 1956, the Polish government began awarding subsidies to encourage new and original art forms; Kraków suddenly emerged as a center of
avant-garde jazz, painting, theater and filmmaking. For two years, beginning in 1959, Ryszard studied art at the High School of Fine Arts in Kraków and then went on to major in painting at the
Academy of Fine Arts. It was at this time that he became interested in photography, particularly the work of American photographers. Horowitz immigrated to the United States in 1959 and enrolled at New York's
Pratt Institute in its commercial and advertising graphic design department. There he worked with his mentors,
Richard Avedon and
Alexey Brodovitch. Horowitz took part in weekly seminars led by Brodovitch and worked as an assistant for Avedon in 1963, including at his famous portrait session with
Salvador Dalí. After graduating from Pratt in 1962, Horowitz began working in film and television and graphic design companies, including a stint as
Art Director for
Grey Advertising. In 1967, Horowitz opened his own photography studio in New York City. He has developed a successful career in both fine art and commercial photography, but is most well-known for creating complex photographic composites, which have been compared to the surrealist artworks of
Magritte and Dalí. Early in his career, to obtain such effects, Horowitz used a multitude of photographic techniques such as
darkroom retouching,
multiple film exposures and manipulation of his camera. ==Recognition==