Early work As a child, Renaud appeared as an extra in the film
The Red Balloon (1956). Fresh out of school, his original vocation was to become an actor. By chance he met the actor
Patrick Dewaere and was invited to join the company of the comedy theatre
Café de la Gare, which had recently been founded by
Patrick Dewaere,
Coluche, and
Miou-Miou. Renaud played some supporting roles in television productions, but turned away from acting as his singing career progressed. His early work is characterized by a volatile temperament, innovative use of French, and edgy, dark, leftist social and political themes. Raised in an educated milieu, the son of an intellectual, Renaud adopted the looks and attitude of working-class youth in the 1970s, and reflected this in his lyrics. A recurrent theme is his disgust for the average French person with
petit-bourgeois preoccupations and right-wing leanings (see
beauf). His music focuses on the disparity between classes, the abuse of political power, overbearing authority and disgust for the military and the police, with rare glimpses of tenderness for his fellow humans, the planet earth, and art.
Middle period In 1985, in a concert in Moscow, in what was an orchestrated gesture, roughly one third of the spectators upped and left the concert hall when he sang the anti-militarist "Déserteur". In the late 1980s and the 1990s, Renaud's work was distinguished by "softer" subjects such as his then-wife Dominique, his daughter
Lolita and his friends, as well as comedian and singer
Coluche for whom he wrote the tribute "
Putain de camion" ("Bloody Lorry") after Coluche's death in a road accident. He has also ventured into regional music and language, such as the language of Marseille in
La Belle de Mai, the north with ''Renaud cante el' Nord'' and even Corsican polyphonics in "Lolito lolita". In 1992, he financially helped resurrect the defunct satirical weekly
Charlie Hebdo and wrote a column titled
Renaud bille en tête for a couple of years. His column appeared again in 1995–1996, retitled
Envoyé spécial chez moi. In 2006, he published
Les Bobos, as a satire on the Parisian lower bourgeoisie. In 1993, he came back to acting by playing the leading part of Étienne Lantier in the film
Germinal directed by
Claude Berri.
Resurgence After an unproductive period marked by alcoholism, he made a significant comeback with his 2002 album ''
Boucan d'enfer''. That album's hit was "
Manhattan-Kaboul", a duo with
Axelle Red which tackled current issues by drawing a parallel between a victim of the 9-11 attacks in New York and an Afghan girl, both caught up in a war they don't understand. In 2009 Renaud released
Molly Malone – Balade irlandaise, an album of Irish ballads. Produced by ex-
Boomtown Rats bassist
Pete Briquette, the album was commercially successful (certified double-platinum in just over a month) but the singer's feeble, often out-of-tune vocals caused some negative reviews. In 2014, a collective of 15 artists released a tribute album containing 14 tracks covers of his songs under the title
La Bande à Renaud. On 26 January 2016, on his website, Renaud released "Toujours debout", the first track from his new studio album yet to be released. On the same day, he announced on the French public radio station
France Inter the title of his new studio album:
Toujours debout. The video "Toujours debout" was released on 26 February 2016. On 8 April 2016, Renaud released a studio album,
Toujours debout but oddly sold under the simple title
Renaud. ==Personal life==