appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century In the
Aṅguttara Nikāya, the
Buddha compares himself to a lotus (
padma in
Sanskrit, in
Pali,
paduma), saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta. In
Buddhist symbolism, the lotus represents purity of the
body, speech and mind, as if floating above the murky waters of material attachment and physical desire. According to the traditional biographies,
Gautama Buddha's first seven steps made lotus flowers appear.
Lotus thrones are the normal
pedestal for most important figures in
Buddhist art, and often that of other Indian religions. In Tibet,
Padmasambhava, the Lotus-Born, is considered the Second Buddha, having brought Buddhism to that country by conquering or converting local deities; he is normally depicted sitting on a lotus flower and holding a vajra and a skullcup. One account of his birth is that he appeared inside a lotus flower. ==Confucianism==