The source of the belief that the plate was the Holy Grail, is Jacopo da Varagine, who tells in the Genoese Chronicle that, during the first Crusade (11th century), the
Genoese soldiers under the command of Guglielmo Embriaco participated in the capture of the city of Cesarea (1101), coming into possession of what was believed to be the dish of Jesus' Last Supper. Archbishop
William of Tyre wrote in the second half of the 12th century that the crusaders found the emerald plate in a temple built by
Herod the Great and bought it at a high price. They resold it at a high price anyway. At the beginning of the fourteenth century,
Cardinal Luca Fieschi obtained the Catino as a pledge of the loan of 9,500 lire made by him to the Compagna Comunis who in 1327 redeemed the Catino and established that in the future it could no longer be committed or taken out of the sacristy of the cathedral. Jean Le Meingre known as Boucicault, French governor of Genoa, in 1409 would have attempted the theft. In 1470 Anselmo Adorno describes it with precision, even if he later confuses it with the plate in which the
Baptist's head had been placed, also preserved in San Lorenzo. At the end of the fifteenth century the rumor spread that
Venice too was attempting the subtraction. In 1522 the army of Emperor
Charles V sacked Genoa, but failed to take possession of the treasure of the Cathedral both due to the resistance of the priests and because the
Republic of Genoa paid 1,000
ducats to the captain who was besieging the sacristy. In 1726 Gaetano di Santa Teresa says it is eight Genoese inches (16 cm ) high while the one on display today is only 9 cm high. This made someone think that to prevent the theft a copy would have been made with different sizes. When Genoa was conquered by the French led by
Napoleon Bonaparte, the dish was brought to
Paris in 1806 and, when it was returned on June 14, 1816, it returned to Genoa broken into 10 pieces, one of which was missing. In 2017, the "emerald vase" was returned to the city in its transparent color, after the restoration carried out by the Opificio delle Pietre Dure in Florence. According to L. Ciatti, protagonist of the restoration attributed to Daniele Angellotto. == References ==