History The day after the pastoral visit of
Charles Borromeo in Brugherio (to establish the church of
Saint Bartholomew) in 1578, the archbishop visited the church of Saint Margaret in Baraggia, which was then attached to the house of Giovan Battista Bernareggi (now Villa Brivio). The church consisted of an arched chapel, a separated altar which did not follow
canonical rules, and a round window on the front. It did not have a holy stone, bell nor
vestments. The
Mass was celebrated only on Saint Margaret's day. After 1594, the church's poor structural condition demanded that the celebration of Masses should be suspended. Giovan Battista Bernareggi's son pledged to restore the church and provide its furnishing. This was because the church was "important to the spiritual needs" of the inhabitants of Baraggia.
Architecture and art The church was rebuilt many times. The current plan is
elliptical, masked externally by the square structure. The
balustrades of the
presbytery and the
sacristy doors (made of painted wood and imitation marble) alternating with one another, make the interior regular-shaped. The altar (made of marble and wood), is topped by a nineteenth-century painting of the
Crucifixion. This painting is thought to replace a previous one (portraying Saint Margaret with the
palm of martyrdom), which is now placed on the left wall of the
nave. The ceiling has a 17th-century
fresco with a fake rectangular frame supported by brackets. It depicts a portion of the sky with the
Assumption. On the left wall of the church there is a
niche that contains a
baroque statue in painted
gilded wood. It represents the
Virgin of the Rosary. The exterior of the church is simple: its
façade is
gabled, with prominent
cornices in its mid and top portions. It counts with a
bell tower that rises to the left of the façade. == References ==