Saint-Uze culture

The Saint-Uze style was defined on the basis of pottery found in layers 53 to 48 of the Grotte du Gardon at Ambérieu-en-Bugey, in the Ain department, France. Carbon-14 dating places these layers between approximately 4500 and 4200 BC. Regional differences are probable but difficult to determine due to the small number of finds. In Switzerland, only the complex of Saint-Léonard - Sur-le-Grand-Pré, important but likely chronologically heterogeneous, has been discovered to date. == Material culture ==

Ceramics Typical vessels of the Saint-Uze group include rounded jars with straight walls, ribbon handles below the rim, and sometimes knobs on the lip. Other characteristic forms are tall bowls with horizontally perforated handles featuring a slight central depression, and carinated bowls with rounded bases. Four-lobed rim bowls (Zipfelschalen) and vessels with pairs of handles are also found. Bottles, very common in the Egolzwil culture, are absent. The surface of the ceramics was not decorated but smoothed. The barrel-shaped jars with rounded bases and ribbon handles are close to the Egolzwil-style ceramics of the central Swiss Plateau, although the Saint-Uze ribbon handles appear more flattened in cross-section. The typology of Saint-Uze ceramics compared to that of Egolzwil is notable for its greater variety. Projectile points The arrowheads of the Saint-Uze group are characterized by trapezoidal points, while those of the Egolzwil culture are triangular. Burial practices In the distribution area of Saint-Uze ceramics, the deceased were buried in cist tombs of the Chamblandes type. These are also present in the central Swiss Plateau in connection with the Egolzwil culture, although most necropolises of this type are found in the Lake Geneva region and Valais, in an intermediate zone between the areas of influence of these two cultures. == Cultural connections ==

Despite regional differences (ceramics, arrowheads), Saint-Uze and Egolzwil appear to rest on a common southwestern substrate of Mediterranean origin. The greater typological variety of Saint-Uze ceramics and the differences in projectile point styles suggest distinct regional developments within a broader cultural framework. == References ==