Depestre did his primary studies with the
Breton Brothers of Christian Instruction. His father died in 1936, and René Depestre left his mother, his two brothers and his two sisters to go live with his maternal grandmother. From 1940 to 1944, he completed his secondary studies at the Pétion college in
Port-au-Prince. His birthplace is often evoked in his poetry and his novels, in particular
Hadriana in All My Dreams (1988).
Étincelles (Sparks), his first collection of poetry, appeared in 1945, prefaced by
Edris Saint-Amand. He was only nineteen years old when the work was published. The poems were influenced by the marvelous realism of
Alejo Carpentier, who planned a conference on this subject in Haiti in 1942. Depestre created a weekly magazine with three friends: Baker, Alexis, and
Gérald Bloncourt: The Hive (1945–46). "One wanted to help the Haitians to become aware of their capacity to renew the historical foundations of their identity" (quote from
Le métier à métisser). The Haitian government at the time seized the 1945 edition, published in honor of
André Breton, which led to the insurrection of 1946. Depestre met with all his Haitian intellectual contemporaries, including
Jean Price-Mars,
Léon Laleau, and
René Bélance, who wrote the preface to his second collection,
Gerbe de sang, in 1946. He also met with foreign intellectuals. He took part in and directed the revolutionary student movements of January 1946, which led to the overthrow of President
Élie Lescot. The Army very quickly seized power, and Depestre was arrested and imprisoned before being exiled. He pursued his studies in letters and political science at the
Sorbonne from 1946 to 1950. In Paris, he met French
surrealist poets as well as foreign artists, and intellectuals of the
négritude (Black) movement who coalesced around
Alioune Diop and
Présence Africaine. Depestre took an active part in the decolonization movements in France, and he was expelled from French territory alongside his first wife, Edith Sorel, a Jewish woman of Hungarian origin. He left for
Prague, from where he was driven out in 1952. He went to Cuba, invited by the writer
Nicolás Guillén, where again he was stopped and expelled by the government of
Fulgencio Batista. He was denied entry by France and Italy. He left for Austria, then
Chile,
Argentina and
Brazil. He remained in Chile long enough to organize, with Pablo Neruda and Jorge Amado, the Continental Congress of Culture. After Brazil, Depestre returned to Paris in 1956 where he met other Haitians, including
Jacques Stephen Alexis. He took part in the first Pan-African congress organized by
Présence Africaine in September 1956. He wrote in
Présence Africaine and other journals of the time such as
Esprit, and
Lettres Francaises. He returned to Haiti in (1956–57). Refusing to collaborate with the Duvalierist regime, he called on Haitians to resist, and was placed under house arrest. Depestre left for Cuba in 1959, at the invitation of
Che Guevara. Convinced of the aims of the Cuban Revolution, he helped with managing the country (Ministry for Foreign Relations, National Publishing, National Council of Culture,
Radio Havana Cuba,
Las Casas de las Américas, The Committee for the Preparation of the Cultural Congress of Havana in 1967). Depestre travelled, taking part in official activities (the
USSR, China,
Vietnam, etc.) and took part in the first
Pan-African Cultural Festival (
Algiers, 1969), where he met the
Congolese writer
Henri Lopes, with whom he would work later, at
UNESCO. During his various travels and his stay in Cuba, Rene Depestre continued working on a major piece of poetry. One of his most famous collections of poetry is ''Un arc-en-ciel pour l'Occident chrétien
(Rainbow for the Christian Occident) (1967), a mix of politics, eroticism, and Voudoo, topics that are found in all of his works. Poet in Cuba'' (1973) is a reflection on the evolution of the
Cuban Revolution. Pushed aside by the Castrist régime in 1971, Depestre broke with the Cuban experiment in 1978 and went back to Paris where he worked at the UNESCO Secretariat. In 1979, in Paris, he published
Le Mat de Cocagne, his first novel. In 1980, he published
Alléluia pour une femme-jardin, for which he was awarded the
Prix Goncourt de la nouvelle in 1982. Depestre left UNESCO in 1986 and retired in the
Aude region of France. In 1988, he published
Hadriana in All My Dreams, which received many literary awards, including the
Prix Théophraste Renaudot, the
Prix de la Société des Gens de Lettres, the
Prix Antigone of the town of Montpellier, and the Belgian
Prix du Roman de l'Académie royale de la langue et de la littérature françaises. He obtained French citizenship in 1991. He continued to receive awards and honors, in particular the
Prix Guillaume Apollinaire for his
Anthologie personnelle (1993) and the Italian
Grisane Award for the theatrical adaptation of
Mat de Cocagne in 1995, as well as bursaries (Bourse du Centre National du Livre, in 1994, and a
Guggenheim Fellowship in 1995). He was the subject of a documentary film by
Jean-Daniel Lafond,
Haiti in All Our Dreams, filmed in
Montreal (1996). Depestre also published major essays.
Bonjour et adieu à la négritude (Hello and Good-bye to Négritude) presents a reflexion on his ambivalent position regarding the négritude movement started by
Léopold Sédar Senghor,
Aimé Césaire and
Leon-Gontran Damas. Impressed by Aime Césaire, who came to Haiti to speak about surrealism and négritude, he was fascinated by
créole life, or the créolo-francophonie, which did not stop him from questioning the concept of négritude. Rebellious of the concept since his youth, which he associated with ethnic essentialism, he measured the historical range and situated the movement in the world history of ideas. He revisited this topic (critical re-situation of the movement) in his two collections,
Ainsi parle le fleuve noir (1998) and
Le Métier à métisser (1998). He paid homage to Césaire and his visionary work within the context of the créole movement in Martinique: "Césaire with only one word ended this empty debate: at the start of historical decolonization, In Haiti and around the world, there is the genius of Toussaint Louverture" (
Le Métier à métisser 25). His experience in Cuba – his fascination and his falling out with the "castrofidelism" ideology and its constraints – is also examined in these two texts, as well as marvelous realism, the role of the erotic, Haitian history and the very contemporary topic of globalization. Far from seeing himself as an exile, Depestre prefers being described as a nomad with multiple roots, a “
banyan” man – in reference to the tree which he so often evokes right down to its
rhizomic roots – even described as a "géo-libertin". As of 1986, Depestre lives in a small village in the Aude,
Lézignan-Corbières, with his second wife, Nelly Campano, who is Cuban. His work has been published in the United States, the former Soviet Union, France, Germany, Italy, Cuba, Peru, Brazil, Vietnam, the former German Democratic Republic (East-Germany), Argentina, Denmark and Mexico. His first volume of poetry,
Sparks (Etincelles) was published in Port-au-Prince in 1945. Other publications include
Gerbe de sang (Port-au-Prince, 1946),
Végétation de clartés, preface by Aimé Césaire, (Paris, 1951),
Traduit du grand large, poème de ma patrie enchainée, (Paris, 1952),
Minerai noir, (Paris, 1957), ''Journal d'un animal marin
(Paris, 1964), Un arc-en-ciel pour l'occident chrétien poeme mystère vaudou
, (Paris, 1966). His poetry has appeared in many French, Spanish and German anthologies and collections. More current works include Anthologie personnelle
(1993) and Actes sud
, for which he received the Prix Apollinaire. He has spent many years in France, and was awarded the French literary prize, the prix Renaudot, in 1988 for his work Hadriana dans Tous mes Rêves''. He is a special envoy of UNESCO for Haiti. He is the uncle of
Michaëlle Jean, the
Governor General of Canada from 2005 to 2010. == Selected works ==