His father was as a painter interested in perspective and therefore he painted mainly architectural paintings. He passed this skill and interest on to his son Salomon who painted almost exclusively architecture paintings. In 1602 he obtained the commission to work on the decoration of the organ of the
Dom Tower of Utrecht. The contract specified that the interiors of the organ shutters had to represent a ‘church in perspective’, life-size figures of
David with his harp and
Saint Cecilia with an organ. The exterior of the organ case had to be decorated with painted grotesques, which was a specialty of the Vredeman de Vries workshop. It is not entirely clear which parts of the commission were to be executed by Salomon and this contract also does not shed any light on the question as to whether he was at that time residing in Utrecht. ==References==