Jazz Sam Musiker played professionally from about the age of 20 onwards. He joined
Gene Krupa's band at its inception in 1938, following Krupa's departure from
Benny Goodman's band. Musiker remained with the Gene Krupa Orchestra, playing saxophone and clarinet, until its breakup in 1944 and performed on most of the band's recordings, including solos on "Blue Rhythm Fantasy," "Full Dress Hop," and "Let Me Off Uptown." In addition, Musiker played with
Glenn Miller and had arranged music for several NBC shows. He also played (and recorded) with
Sarah Vaughan, including appearances on the Ted Dale Orchestra's 1947 recordings of 'Love Me or Leave Me' and 'I Get a Kick Out of You'. Musiker later was an arranger and composer with the Tucson Pops Orchestra.
Klezmer Musiker performed and recorded
klezmer music extensively throughout his life, often playing with his brother Ray Musiker and father-in-law Dave Tarras. He is recognized as an innovative and influential klezmer musician, incorporating elements of jazz and swing to create a distinctive and characteristic 'New York' klezmer style. As well as his own band, the Sam Musiker Orchestra, he played and recorded with numerous other klezmer musicians in the busy and fertile New York Jewish musical community of the 1930s and '40s. The Sam Musiker Orchestra appeared on
Jack Paar's TV show and played in venues as late as the early 1960s. Musiker's arrangements in surviving recordings have a distinct sound with a rhythm described as "bustling" and "propulsive", with the drummer accenting the first, fourth and seventh
quaver of each
4/4 bar, the
double bass providing a steady pulse on the beat and either piano or accordion playing chords on the
off-beats. Musiker regularly used an accordion within arrangements to generate a rich, full sound with a relatively small band.
Tanz Musiker is perhaps best known for the album
Tanz, recorded in 1955 and released in 1956 on the 'Epic' label, an imprint of CBS/
Columbia. The album includes traditional tunes, theater music and original material written by Sam Musiker and Dave Tarras, who played on the recording along with Ray Musiker. The project was an ambitious attempt to blend klezmer with
big band swing arrangements. The original release was not well marketed and the album failed to find an audience. However, it has since been recognized as a landmark in Jewish-American music and achieved more popularity. The album has since been re-released by Sony on the Legacy imprint. ==References==