Initially, ''Sam's Town'' received generally positive reviews from music critics. At
Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 64, based on 32 reviews. In a review for
NME, Krissi Murison highlighted both the similarities to
Hot Fuss and the evolution of the band's sound from the debut to ''Sam's Town'', concluding: "All this, however, isn't to say that The Killers have gone all (God forbid) serious on us. The tunes may be huger, the influences cleverer, the lyrics more adventurous and the band more self-assured, but their primary concern is still being the biggest indie-pop stars on the planet. For all their smart new ways, The Killers are still as flashy, unintentionally funny, and flagrantly affected as ever – and this time we wouldn't even pretend to have it any other way." Similarly,
Rob Sheffield of
Rolling Stone noted a significant departure from
Hot Fuss, writing that on ''Sam's Town'', the band "ditch[es] their cheerfully fake
Bowie moves and try to get heavy by copying Bruce Springsteen. Yes, that means glockenspiel solos. Yes, it means anthems about the road and looking for America and girls named Mary. No, it's not a good move." In later years, the album gained a cult following and has been critically lauded as a classic and one of the best rock albums of the 2000s. Despite its two-star rating by
Rolling Stone, ''Sam's Town'' was voted by the magazine's readers in December 2009 as the most underrated album of the decade.
Accolades : ==Commercial performance==