The movement took its name and its founding spirit from Lindqvist's book
Gräv där du står (
Dig where you stand), published in 1978. In his emphasis on workers' researching their own history Lindqvist drew inspiration from
Maxim Gorky, from public history campaigns in post-revolutionary
China (where he studied for a year during the
Great Leap Forward), from
Kenneth Hudson's books and television shows on
industrial archaeology in the 1960s, and from the British
oral history movement. The motto was drawn from
Friedrich Nietzsche:
Wo du stehst, grab tief hinein! (Where you stand, dig deep!) The movement was the culmination of a variety of developments in Swedish cultural life in the 1970s such as the revival of documentarist fiction and the
Bygd i förvandling ("Community in Change") local history campaign. The latter worked through books and a television series and built on the strong Swedish tradition of
study circles by emphasising the training of study circle leaders. A successful trial in two regions in 1973 resulted in the creation of 700 study circles with 90,000 participants, and the program was extended across the country. It brought a large amount of oral and written reminiscences, photographs and documents to local museums and archives. Lindqvist's book was intended to provide a research manual for these activities, but also to bring a political perspective which the
Bygd i förvandling campaign avoided. He put the focus on industrial history, and on the value of workers researching and writing the history of their companies, using their job expertise. "Factory history could and should be written from a fresh point of view -- by workers investigating their own workplaces." This would enable workers to challenge the authority of the bosses on the one hand and academic researchers on the other, and to claim the right to speak authoritatively about their work. For example, Lindqvist pointed to the worker deaths caused by exposure to asbestos dust in the cement industry, and the evidence that would be found in the bodies of the workers themselves contrasted with the profits still accruing to the owners long after the damage had been done. Philippe Bouguet has described it as a "small-scale Swedish 'cultural revolution'". ==Germany==