Early career: Žetva and Rani Mraz After Balašević joined the group, Žetva recorded a humorous
tango-oriented hit single "U razdeljak te ljubim" (I Lay a Kiss on Your Parting), which was sold in more than 180,000 copies. In 1978, he left Žetva and, together with Verica Todorović, formed the band
Rani Mraz. The band had its debut at the 1978 music festival in
Opatija with the song "Moja prva ljubav" (My First Love). During 1978, former
Suncokret members
Biljana Krstić and
Bora Đorđević joined the band (forming the most famous Rani Mraz lineup), and together they recorded "Računajte na nas" (Count on Us), written by Balašević, a song which celebrated the youth's adoption of the
communist revolution. After just a few months of cooperation, Verica Todorović and Bora Đorđević left the band (Đorđević forming his famous
hard rock band
Riblja Čorba). Biljana Krstić and Balašević then recorded Rani Mraz's first album
Mojoj mami umesto maturske slike u izlogu (
To my Mom instead of Prom Photo in the Shop-Window) with the help of
studio musicians. At the 1979
Split Festival, Balašević won the first prize with the single "Panonski mornar" (Pannonian Sailor). A few months later, Rani Mraz sold out
Belgrade's
Dom Sindikata Hall eight times in a row. In 1980, Balašević served in the
Yugoslav People's Army in
Zagreb and
Požarevac, where he had a role in the TV show
Vojnici (
Soldiers), and lyrics for several songs recorded on
Srebrna krila album
Ja sam samo jedan od mnogih s gitarom (''I'm only One of Many with a Guitar''). By the end of 1980, Balašević and Krstić released their second and final album under the name Rani Mraz, with a symbolic title
Odlazi cirkus (
The Circus Is Leaving). The album reaffirmed Balašević's status and delivered several hit songs, one of them being "Priča o Vasi Ladačkom" (Story of Vasa Ladački) which went on to become one of Balašević's
signature songs. However, Rani Mraz officially dissolved after that.
Solo career 1980s Balašević started his solo career in 1982 with the album
Pub (
Jack) which was well received, bringing hits "Boža zvani Pub" (Boža Known as the Jack), "Pesma o jednom petlu" (The Song about a Rooster), "Lepa protina kći" (Archpriest's Beautiful Daughter) and "Ratnik paorskog srca" (Warrior with a Peasant's Heart). The album was produced by Josip Boček, who would also produce Balašević's following two releases. Shortly after, Balašević had a role in the TV series
Pop Ćira i pop Spira (
Priest Ćira and Priest Spira), recorded after
Stevan Sremac's
novel of the same title. At the time, he wrote the song "Hej, čarobnjaci, svi su vam đaci" (Hey, Magicians, Everyone Can Learn from You) for the football club
Red Star Belgrade. In December 1983, Balašević released the album
Celovečernji the Kid (
Wholevening the Kid), which featured hits "Svirajte mi 'Jesen stiže, dunjo moja'" (Play 'Autumn Is Coming, My Dear' to Me), "Neko to od gore vidi sve" (Someone from up above Watches it All), "Blues mutne vode" (Muddy Water Blues), "Lunjo" (Hey, Tramp) and "Don Francisco Long Play". The following album,
003, was released in 1985, and brought hits "Slovenska" (The Slavic Song), "Al' se nekad dobro jelo" (Back Then Eating Was Good), "Badnje veče" (
Christmas Eve) and "Olivera". In 1986, Balašević released the album
Bezdan (
Abyss), which brought hits "Ne lomite mi bagrenje" (Don't Break My Locust Trees), "Bezdan" and "Ne volim januar" (I Don't Like January). The record was produced by Đorđe Petrović and arrangements were done by Aleksandar Dujin. In 1987, Balašević released his first live album, double album
U tvojim molitvama – Balade (
In Your Prayers – Ballads). The album was recorded during 1986 and 1987 on his concerts in
Zetra hall in
Sarajevo, Ledena dvorana and Šalata in Zagreb, Sava Centar in Belgrade, and Studio M in Novi Sad. The album featured a gift single with previously unreleased tracks "1987" and "Poluuspavanka" (Half-Lullaby). The album also featured previously unrecorded track "Samo da rata ne bude" (Just Let There be no War) which was recorded live with a large children's
choir. On 19 July 1987, Balašević, alongside
Parni Valjak,
Leb i sol and
Riblja Čorba, performed at
Stadion Maksimir in Zagreb on the
1987 Summer Universiade closing ceremony. Balašević's next studio album,
Panta Rei, released in 1988. The song "Requiem" was dedicated to late
Josip Broz Tito, while satire "Soliter" (High-rise) caricatures Yugoslavia as a building in which only façade still holds while foundations slide.
Blues sound was present in the songs "Neki se rode kraj vode" (Some Were Born By the Water) and "Nemam ništa s tim" (I Have Nothing to Do with It). Balašević's following album,
Tri posleratna druga (
Three postwar Friends), was subtitled
Muzika iz istoimenog romana (
Music from the Novel of the Same Name), referring to his novel
Tri posleratna druga. The album was recorded by Dujin, bass guitarist Aleksandar Kravić, and two musicians from
Rijeka, guitarist Elvis Stanić (a former Linija 23,
Denis & Denis, and Dr Doktor member) and drummer Tonči Grabušić. The album featured radio hits "Kad odem" (When I'm Gone) "D-moll" (
D minor), "Ćaletova pesma" (Dad's Song), "Saputnik" (Fellow Traveler), "O. Bože" (Oh God), and
folk-oriented "Devojka sa čardaš nogama" (A Girl with
Csárdás Legs). The song "Sugar Rap" featured caricatured rap sound.
1990s The album
Marim ja... (
I care...) was released in 1991. Beside Balašević's old associates, the album featured Davor Rodik (
pedal steel guitar), Nenad Jazunović (percussion), and Josip "Kiki" Kovač (violin). The songs "Nevernik" (The Nonbeliever), "Ringišpil" (Carousel), "Divlji badem" (Wild Almond) were the album's biggest hits. As the
Yugoslav Wars erupted, Balašević was forced to stop collaborating with Stanić and Grabušić (the two forming the
jazz rock band Elvis Stanić Group). Balašević withdrew to isolation, partly due to his anti-war attitudes. His next album
Jedan od onih života... (
One of Those Lives...), released in 1993, featured Aleksandar Dujin on piano, Dušan Bezuha on guitar, Đorđe Petrović on keyboards, Aleksandar Kravić on bass guitar, Josip Kovač on saxophone, and
Dragoljub Đuričić (formerly of
YU grupa,
Leb i Sol and
Kerber) on drums. The songs such as "Krivi smo mi" (It's Our Fault) and "Čovek sa mesecom u očima" (The Man with the Moon in His Eyes) heavily criticized and denounced the ongoing war. At the same time, the compilation album
Najveći hitovi (
Greatest hits), featuring songs recorded during the 1986–1991 period, was released. The songs which appeared on the compilation were chosen by Balašević himself. After a long break, at the beginning of 1996, he issued
Naposletku... (
In The End...). Beside Balašević's old associates, the album featured young drummer Petar Radmilović.
Na posletku... was mainly
folk rock-oriented. Nearly all instruments on the album are acoustic, with the violin becoming dominant and woodwind instruments heavily used. In 1997, the live album ''
Da l' je sve bilo samo fol?'', recorded on 6 December 1996 on a concert in
Maribor, was released in
Slovenia. The album
Devedesete (
Nineties), self-released by Balašević in the spring of 2000, was his most politically involved album. The album was produced by Petrović, and, beside old associates, featured the saxophonist Gabor Bunford.
2000s In 2001, Balašević released the album
Dnevnik starog momka (
Diary of an Old Bachelor). The album comprised 12 songs, each having a female name as its title. The song titles form the
acrostic "Olja je najbolja" (Olja is the Best), Olja being the nickname of Balašević's wife Olivera Balašević. Balašević stated on several occasions that the girls the songs were named after are pure fiction. In 2002, the compilation album
Ostaće okrugli trag na mestu šatre (trans.
A Round Trace Will Remain at the Place where Tent Used to Be, named after a verse from the song "Odlazi cirkus") was released. The album featured the choice of songs from Balašević's solo career, with some of the older songs prerecorded. Balašević released the songs that should have been the soundtrack for the film
Goose Feather on the album
Rani mraz. The album's
subtitle was
Priča o Vasi Ladačkom.../Muzika iz nesnimljenog filma (
Story of Vasa Ladački.../Music from the Film that was not Filmed). The album featured folk rock sound similar to the one on
Na posletku. The album featured rerecorded "Priča o Vasi Ladačkom" and the instrumental track based on it, "Pričica o Vasi L." (Short Story about Vasa L.). The album also featured the song "Maliganska", which Balašević wrote at the beginning of his career and unsuccessfully offered to
Zvonko Bogdan, and which was previously released by pop rock/folk rock band
Apsolutno Romantično under the title
Đoletova pesma (''Đole's Song''). The album, beside old associates, featured Zoran and Pera Alvirović (of Apsolutno Romantično), Andrej Maglovski (
accordion), Stevan Mošo (
prim), Beni Ćibri (double bass), Agota Vitkai Kučera (
soprano), St. George Choir, and others. The film received mostly negative reviews by the critics. In 2012, Balašević released six new songs among which are: "Berba '59." (Harvest of '59), "Ljubav ne pobeđuje" (Love Doesn't Win) and "Osmeh se vratio u grad" (Smile Returned to Town). In 2015, Balašević released a song "Duet" dedicated to
Kemal Monteno who had died in January of that year. In 2016, Balašević released a song "Mala vidra sa Begeja" (Little otter from Bega river).
Concerts His traditional New Year's concerts in Sava Center hall in Belgrade were traditionally sold out. He sold out Sava Center for the first time in the 1982/1983 season. == Civic engagement ==